My list didn’t do me a lot of good, though, because most of the time I was inside the resort, and the fee for the workshop and lodgings included almost all the meals. Nevertheless, I did manage to get different denominations of bills and at least one of the special-issue coins, along with samples of three different portraits of the queen from different eras of coinage.
I couldn’t believe—I still can’t believe—how HUGE the 50-cent coins are! I didn’t think any country in the world had coins this bulky.
Here’s an Australian 50-cent coin next to a current Singapore 50-cent coin, a current US 25-cent coin, and one of the old Singapore 50-cent coins, which until now I thought seemed big!
The embroidered flag patch I bought in the airport was expensive, but looks to be of good quality. I resisted buying any plastic keychains shaped like kangaroos. The pens were free, courtesy of Greenleaf Press (the organizer of the retreat) and Montville Country Cabins (the workshop and retreat venue where we stayed).
I’m beginning to understand the fuss on the internet about saving Matt Damon. He’s an endangered private on a WWII battlefield. He’s a stranded astronaut on a mission to Mars… the list goes on. In Interstellar, though he’s not the main character, he’s a researcher on a distant planet shrouded with frozen clouds.
Interstellar was not a fast-paced movie. There is action, but there are also long stretches of calm. The futuristic mumbo-jumbo is balanced by familiar human relationships; there’s as much drama as sci-fi.
I thought Interstellar was way better than Tomorrowland—certainly it was more complex—but the two movies have the same message: smart people who have hope can always solve the world’s problems.
I enjoyed it, except for the terrifying watery scene, and found the resolution satisfying. See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.
Jackie Chan is still kicking, punching, and jumping out windows. In this action thriller, he’s a sad dad with special forces training, trying to track down some anonymous bombers. The two main characters, Quan and Hennessey, are enemies, but I would say this is a buddy movie because they are trying to solve the same mystery. The movie is serious and satisfying but has a few funny moments in it.
Do NOT watch this movie… on a plane. The real value is in seeing the amazing CGI fights, which somehow never devolve into loud, meaningless smashing. They’re—well, they’re colorful, for Pete’s sake. It’s no fun to watch on a screen six inches wide, but it’s joyous when you can see what’s happening! I enjoyed my second viewing much more than I expected to, thanks to the top-notch execution by Industrial Light and Magic of the stunningly detailed artistic vision of Guillermo del Toro.
Okay, so you’re not a fan of monster movies? Me neither, but this one does some magnificent worldbuilding. The prologue of Pacific Rim has its own prologue, strangely enough, and it was way less dull than at least two others I can think of. Perhaps us Westerners wouldn’t be able to stomach a movie that just started smack in the middle of a war with aliens, where giant military mind-melding machines are the new norm. Huge robots are par for the course for the mecha sub-genre of science fiction (cfRahxephon), but they aren’t exactly Hollywood staples. This movie did well enough (on the strength of ticket sales in China and Japan) to spawn a sequel, coming to theaters next year.
Although I enjoyed the movie, it wasn’t what I’m used to, so it was hard to evaluate. The first time I watched it, I was confused by the story, either because I was stuck in an airplane watching on a tiny screen and started falling asleep, or because the plot was so straightforward I thought I must have been missing something. I kept expecting twists and turns that never materialized.
I felt better about the movie after I watched a couple of the featurettes included in this Blu-Ray package. The director explained that he wanted to tell a simple story about heroism using character types drawn in simple outlines. He didn’t want a lot of plot or expositiony dialog, he wanted realistic action coded with thematically appropriate colors. I’d say he got what he wanted.