The first-person singular pronouns of English are ‘I’, ‘me’, and ‘myself’. Although in daily speech people have been known to use them somewhat interchangeably, IMO it’s worth knowing which roles those different words are supposed to play in a sentence.
Give yourself a quiz. Read each of the sentences below and decide whether it is grammatically correct.
Me/Myself/I Usage Quiz
- The horses were trained by Sylvia and myself.
- Me and Sylvia sold the horses to a riding school.
- The boss split the profit between Sylvia and I.
Answers and explanations after the jump.
Continue reading English grammar: How to use pronouns ‘I’, ‘me’, and ‘myself’
Peter Bradshaw of The Guardian aptly calls the film “impressive but weirdly exasperating”. I did enjoy the film, but I do wish I’d sat a bit farther back from the screen. I also wish I had watched Loving Vincent on DVD (rather than in a theater) so that I could watch the special features. For one thing, I’m not so familiar with the life and works of Vincent Van Gogh. For another, I would love to know more about the technique that was used to create this strange film. The medium is the message.
Some of the frames are copies of Van Gogh paintings—over a hundred of them. The color parts of the film seemed to have been actually painted (in the style of Van Gogh); the black-and-white parts seemed to consist of live-action film that had been modified with some kind of filter. In any case, the realism of the people and their movements can be explained by rotoscoping: the movie was filmed first; then artists used the film frames as templates for paintings on canvas. What we see was made using images of those paintings. (And I thought stop-motion animation was pains-taking!)
The story of the film is sad, as is the life of many a starving artist; Van Gogh only became famous after his untimely death. The end credits said he sold exactly one painting in his lifetime, but created over 800 in the decade before he died—and he died when he was younger than I am now.
It goes to show that having a skill is not enough; you also need the skill or connections to advertise that skill in the right place at the right time, or you are no more noticed than a tree falling in the forest where no ears can hear it.
See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.
Continue reading Loving Vincent (2017)
Publisher Monsoon Books and bookshop Books Actually organized a reading by author Rosie Milne from her new novel Circumstance. Moderator Elaine Chiew followed up the reading with insightful commentary and questions.
See below for a bit of author Q&A and photos from the event.
Continue reading Rosie Milne reads from Circumstance at Books Actually
People associate Tom Cruise with the 1986 action drama Top Gun, an early success, but his breakthrough film was the artsy 1983 teen comedy Risky Business.
It is strange to see the nineteen-year-old version of Tom Cruise on screen. He looks really different, and yet he’s also the same guy, smiling the same million-dollar smile.
Want to see inside? There are links to PDF samples on the publisher’s pages for We Love Chinatown, We Love Geylang Serai, and We Love Serangoon Gardens.
Thus far, Urban Sketchers Singapore and Epigram Books have produced books of sketches of:
- Toa Payoh (November 2012)
- Tiong Bahru (February 2013)
- Bedok (April 2013)
- Queenstown (September 2013)
- Katong (April 2014)
- Little India (September 2014)
- Chinatown (May 2015)
- Geylang Serai (January 2016)
- Serangoon Gardens (January 2017)
Toa Payoh, Tiong Bahru, and Katong are sold out at the publisher.
When and Why I Read We Love Chinatown, We Love Geylang Serai, and We Love Serangoon Gardens
These are attractive locally-produced books.
Genre: non-fiction (art)
Date started / date finished: 07-Jan-19 to 07-Jan-19
Length: 96 pages
ISBN: 9789810778231, 9789814615181, 9789811700569 (paperback)
Originally published in: 2015, 2016 and 2017