Loved by mothers and daughters for more than a century, Louisa May Alcott’s novel Little Women attained a higher level of popularity than any of her other books. Even though the book was clearly directed toward a female audience, it has been said of Little Women than even from a male point of view the book and its sequels are very good (Chesterton). Though Little Women is known mostly for its characters and amusing stories (Gale), it becomes clear to a careful reader that Alcott weaves into her stories her opinions on certain issues. Her reform-minded father and her mother both encouraged her to live independently and stand up for her opinions (Gale “Overview”; Magill, “Little Women” 1264). The issues Alcott supported included coeducation and abolition, but causes Alcott especially supported were women’s rights and women’s suffrage (Gale; Gale “Overview”). In fact, after she had become famous, the novelist used her popularity to aid her causes and became the first woman in Concord to register to vote (Magill, “Louisa May Alcott” 7). It should not be surprising, then, that it is Alcott’s feminism which most influences Little Women and which dominates her later works in particular. Sometimes Alcott speaks out quite strongly through her characters, but other times she must make sacrifices, toning down the opinions in order to insure that her books succeed. In her earlier works, such as Little Women, Alcott is most restrained, but in her novel Rose in Bloom, she is less so, and in Jo’s Boys, she hardly restrains her opinions at all.
Continue reading Increasing Feminism in the Works of Louisa May Alcott
The full title of the work is The Pilgrim’s Progress from This World, to That Which Is to Come. The work tells the story of a man named Christian who reads the Bible and thus comes to fear his doom and to feel that he is carrying a burden. He desires to be saved. Luckily, he subsequently encounters a man named Evangelist who advises him to travel to the Celestial City by a certain path. Christian tries to follow his instructions, with varying degrees of success, and (massive spoiler alert) ultimately reaches his goal.
Is it worth reading this venerable Christian text nowadays?
Continue reading The Pilgrim’s Progress by John Bunyan
When and Why I Read The Pilgrim's Progress
The characters of Little Women refer to the book and its setting, characters, and plot.
Genre: fiction (religious allegory)
Date started / date finished: 16-May-19 to 20-May-19
Length: 145 pages
ISBN: Project Gutenberg 131
Originally published in: 1678
Gutenberg link: The Pilgrim's Progress
The first-person singular pronouns of English are ‘I’, ‘me’, and ‘myself’. Although in daily speech people have been known to use them somewhat interchangeably, IMO it’s worth knowing which roles those different words are supposed to play in a sentence.
Give yourself a quiz. Read each of the sentences below and decide whether it is grammatically correct.
Me/Myself/I Usage Quiz
- The horses were trained by Sylvia and myself.
- Me and Sylvia sold the horses to a riding school.
- The boss split the profit between Sylvia and I.
Answers and explanations after the jump.
Continue reading English grammar: How to use pronouns ‘I’, ‘me’, and ‘myself’
Little Women, a popular and influential nineteenth-century American novel about the coming of age of four sisters, Meg, Jo, Beth, and Amy, is familiar, charming, and—for those with a compatible upbringing—only a little bit too didactic.
It’s easy to admire Jo, the fiercely independent heroine of Little Women, a tomboy who cuts all her hair off, looks forward to spinsterhood, and aims to support herself by writing. I wonder if she’s a Mary Sue; others (doubtless more fruitfully) debate whether or not the book is feminist.
Continue reading Little Women by Louisa May Alcott
I attended a talk on worldbuilding by Singaporean author JY Yang and took some photos and notes. My notes are not comprehensive, but are hopefully characteristic.
In keeping with Yang’s preferences, in the notes below, I have used they/them/their pronouns. (Still, being somewhat of a traditionalist in the realm of English grammar, I wish there were a distinct gender-neutral singular.)
About JY Yang (from Sing Lit Station)
After six years of writing speculative fiction, JY Yang finally finds themselves at the end of the critically acclaimed and bestselling Tensorate series, with the fourth and final volume, The Ascent to Godhood, out in July this year. As a postcolonial feminist writer who deals specifically with gender, cultural imperialism and structures of power in their work, JY Yang is currently embarking on the epic journey of crafting their first novel-length work of fiction. Described as a far-future space opera centred on the descendants of a doomed generation ship, it has giant robots, space stations under siege, emperors and hierophants, holy artifacts and faster-than-light travel. It is Joan of Arc meets Gundam.
About the Event (Worldbuilding “Lecture” at Sing Lit Station)
There were no PowerPoint slides; I can’t imagine the talk proceeding in that way. Yang was animated, spontaneous, and concise in sharing about their struggles and successes as a writer. The talk was neither wholly about worldbuilding nor off-topic, neither wholly driven by the author nor wholly driven by the audience. The chairs were filled, but there was space for everyone. It was a good-sized group, but still felt intimate. A delightful event.
Continue reading New Terrain / New Works featuring JY Yang at Sing Lit Station
Peter Bradshaw of The Guardian aptly calls the film “impressive but weirdly exasperating”. I did enjoy the film, but I do wish I’d sat a bit farther back from the screen. I also wish I had watched Loving Vincent on DVD (rather than in a theater) so that I could watch the special features. For one thing, I’m not so familiar with the life and works of Vincent Van Gogh. For another, I would love to know more about the technique that was used to create this strange film. The medium is the message.
Some of the frames are copies of Van Gogh paintings—over a hundred of them. The color parts of the film seemed to have been actually painted (in the style of Van Gogh); the black-and-white parts seemed to consist of live-action film that had been modified with some kind of filter. In any case, the realism of the people and their movements can be explained by rotoscoping: the movie was filmed first; then artists used the film frames as templates for paintings on canvas. What we see was made using images of those paintings. (And I thought stop-motion animation was pains-taking!)
The story of the film is sad, as is the life of many a starving artist; Van Gogh only became famous after his untimely death. The end credits said he sold exactly one painting in his lifetime, but created over 800 in the decade before he died—and he died when he was younger than I am now.
It goes to show that having a skill is not enough; you also need the skill or connections to advertise that skill in the right place at the right time, or you are no more noticed than a tree falling in the forest where no ears can hear it.
See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.
Continue reading Loving Vincent (2017)
Publisher Monsoon Books and bookshop Books Actually organized a reading by author Rosie Milne from her new novel Circumstance. Moderator Elaine Chiew followed up the reading with insightful commentary and questions.
See below for a bit of author Q&A and photos from the event.
Continue reading Rosie Milne reads from Circumstance at Books Actually
People associate Tom Cruise with the 1986 action drama Top Gun, an early success, but his breakthrough film was the artsy 1983 teen comedy Risky Business.
It is strange to see the nineteen-year-old version of Tom Cruise on screen. He looks really different, and yet he’s also the same guy, smiling the same million-dollar smile.
Want to see inside? There are links to PDF samples on the publisher’s pages for We Love Chinatown, We Love Geylang Serai, and We Love Serangoon Gardens.
Thus far, Urban Sketchers Singapore and Epigram Books have produced books of sketches of:
- Toa Payoh (November 2012)
- Tiong Bahru (February 2013)
- Bedok (April 2013)
- Queenstown (September 2013)
- Katong (April 2014)
- Little India (September 2014)
- Chinatown (May 2015)
- Geylang Serai (January 2016)
- Serangoon Gardens (January 2017)
Toa Payoh, Tiong Bahru, and Katong are sold out at the publisher.
When and Why I Read We Love Chinatown, We Love Geylang Serai, and We Love Serangoon Gardens
These are attractive locally-produced books.
Genre: non-fiction (art)
Date started / date finished: 07-Jan-19 to 07-Jan-19
Length: 96 pages
ISBN: 9789810778231, 9789814615181, 9789811700569 (paperback)
Originally published in: 2015, 2016 and 2017
So you want to read Alexandre Dumas’ classic adventure, The Count of Monte Cristo. And you don’t read French.
No problem. This massive novel has been available in English since the 1840s. You’ll find a copy in any decent library or bookstore, and if you like reading ebooks, you can download the novel for free because it’s not under copyright. That’s sorted, then.
Not so fast!
As soon as you visit the library or bookshop or click over to Amazon, you realize there are a host of publishers offering a myriad of paperback and hardcover editions and dozens of digital versions. What’s the difference?
Unexpurgated, unabridged, abridged, children’s, illustrated, and film versions are available. Keep reading to learn how to choose an edition that’s right for you.
Continue reading Which English translation or edition of The Count of Monte Cristo should I read?