Edge of Tomorrow is Groundhog Day but with hostile aliens.
I have mixed feelings about it. On the one hand, I love Tom Cruise’s humorous approach and his dedication to the role; the special features talked a lot about how much effort was required to operate in the exosuit and how central the suit was to the portrayal of the main character, whose gradual transformation Cruise made believable. On the other hand, I found the war very real and very threatening.
On Tuesday last week, I noticed that the LaserFlair at West Coast Plaza had signs up advertising some kind of sale. I bought 15 new DVDs for S$7 or S$10 each. It looked like they were about to clear out their rental DVDs, too, so I resolved to return.
I returned on Thursday. I asked the cashier if the shop would be selling the rental discs. She said yes. I asked if that meant I could buy some right then. She said yes. I asked her how much they were selling them for. She said S$5.
This is an advertisement for a movie called Sunflowers of Inferno, which I know absolutely nothing about but which looks like an anime film about a Van Gogh painting… further proof that the world does not make sense in the slightest.
I’m not an expert, but there seems to be a whole genre of Chinese historical-fantasy-war movies (wuxia). At any rate, that’s what this was. It had a dose of romance in it, too. Big budget. Nice effects. Entertaining. From my standpoint, actually, not that weird. It was good practice for me to listen to the Mandarin.
My husband and I agreed that this movie was okay but not… spectacular. Which is ironic, because of course the whole thing is nothing but spectacle. It’s an amazing, long, fancy, expensive spectacle, and my reaction to it was more or less a shrug.
For a while now, I’ve had two Robin Hood mass-market paperbacks on the same shelf (one by Roger Lancelyn Green and one by Howard Pyle). Just now my spreadsheet told me I also have one by Henry Gilbert that I bought in 2010. My copy of Green is from 2008 and Pyle must have been before July 2004. So I have three versions. Plus Robin McKinley’s Outlaws of Sherwood.
I also have three movie versions: Disney, Elwes and Flynn. And a 2006 TV series from the BBC!
Triple bonus points for the scene in which the gravity turns off! Titan A.E., a cartoon, is the only other sci-fi movie I’ve seen that has depicted the failure of artificial gravity.
The novel mix of sci-fi and comedy strained my willing suspension of disbelief, and I’m not sure I like the main character, Star Lord, but there was much to enjoy: the ensemble cast, the setting, the plot, and the expensive special effects.
A lot of the world-building that was showcased in the Blu-Ray special features could easily be overlooked in the movie itself, which felt fast-paced even though it clocked in at almost two hours.