I have doubts about the “uniqueness” of the “workmanship” of the clothes rack, but the assembly instructions are quite respectable. See below for details.
This blue book, Mots D’Heures: Gousses, Rames is a real treasure. I was ecstatic when I found it. When I was browsing in a used book shop in Melbourne, I found it on a shelf labeled “Books on Books”, but I’m not sure that’s where it belongs—or where it possibly could belong, for that matter! The whole volume is an esoteric joke aimed at native speakers of English who have studied French.
The book purports to be the publication of a mysterious manuscript of French poems the author discovered. He has annotated the poems in English with deadpan comments on the meanings of the French words.
In fact, as the author knows full well, the poems are more or less nonsense when translated from French, but if you pronounce them in French, they sound like a French speaker reciting Mother Goose rhymes! Case in point: The title of the volume, if you read it in a French accent, sounds like “Mother Goose Rhymes”.
Intrigued? There is a wonderful rabbit-hole of related phenomena you can happily fall into if you click the Wikipedia page for Mots D’Heures: Gousses, Rames.
If you are a social person and you want to have fun with this kind of language trick using just English, try the game Mad Gab.
Example cards from the game:
sea grit dress up ease = secret recipes
ice mail ask hunk = I smell a skunk
canoe key pace he gret = can you keep a secret
sand tack laws = Santa Claus
thigh sing gone thick ache = the icing on the cake
If you’re an introverted student of French and you want to experience the joy of deciphering Mots D’Heures: Gousses, Rames all by yourself, there are used copies of various editions of the book available through Amazon and Abebooks. You can’t have mine.
My 12th-grade French teacher used to write these “French poems” in a corner of the whiteboard to challenge us. I specifically remember “Little Miss Moffat”. Years later, feeling nostalgic, I looked online for a copy of a book they came from, but buying a copy of the out-of-print volume looked like it was going to be expensive, so I shelved that ambition. In 2009, HarperCollins reissued the work, but—tragically!—it went out of print again before I even noticed. To stumble across it by accident was a fantastic stroke of luck, especially given the price (AU$7) and condition (fantastic).
Maybe you already have the book, and you’ve tried to match the “French poems” to Mother Goose Rhymes, and you’re stumped. After all, the author is quite coy. Though he credits Mother Goose in the bibliography at the end of the book, he never clearly says that the poems are actually English Mother Goose rhymes, so of course he doesn’t list the answers; you are supposed to work them out yourself. If, however, you are fed up with trying to work them out yourself, and you’re here looking for the answers, then you, too have had a stroke of luck. I’ve worked them out for you.
See the answer key below for a list of the names of the 40 nursery rhymes disguised in Mots D’Heures: Gousses Rames.
This copy of Harry Potter and the Prisoner of Azkaban in Russian (ISBN 9785389077881) was a gift from Ilya Sergey (a colleague of my husband who does theoretical computery things) and his wife Lilia Anisimova (an illustrator who does computery things of an entirely different kind).
It is the latest addition to my collection of translations of Harry Potter books, which consists mostly of translations of book 3, but also includes some translations of book 1.
The title page of the Russian translation looks like this:
The text inside looks like this:
The book features a beautiful new cover illustration by Kazu Kibuishi. The spines of the books in the seven-book set form an image of Hogwarts, like so:
New versions in many languages now feature Kibuishi’s illustrations; only buy the Russian edition if you’re a crazy collector like me—or if you can actually read Russian.
In the past, I’ve read British books and not known the relevant money-related vocabulary. This sign, spotted at the museum of the Reserve Bank of New Zealand, should help!
This collection of translations of Bill Watterson’s The Revenge of the Baby- Sat probably got started when I went to Italy in 2002 and chanced upon a copy of the Italian translation.
Undoubtedly I bought the Portuguese one in Portugal in 2004 and the German one in Germany in 2008. My husband fetched me the French one from France at some point or other, having somehow determined that the contents were the same even though the cover was different. A neighbor kindly brought back the Chinese version for me when she went to visit family in Beijing recently.
Seeing Calvin’s words in other languages that use the Roman alphabet is one thing; seeing them in Chinese characters is quite strange.
Below are images of the six different book covers: French, Italian, Portuguese, German, English, and Chinese.
There are translations available in other languages, including Spanish (ISBN 9786075271170), Dutch (ISBN 97890542562), and Czech (ISBN 9788074490798), as well…
I saw this message displayed on a programmable sign over a highway, prefaced by the notation “Georgia Law”.
Obviously, the message is
Turn on [your] headlights when [it is] raining.
The intent is clear, but the syntax is awful.
Syntactically, the implied subject of both the verbs “turn” and “rain” is “you”, so technically the sentence means:
Turn on [your] headlights when [you are] raining.
I don’t have any particular suggestion for how to “improve” the sign. Signs aren’t written in normal syntax because of space constraints, so any alternate version would have to be really short. Writing “If it is raining, turn on your headlights” is obviously longer and not obviously better, because even when space is not limited, we expect signs to be written in a terse style that lacks pronouns.
If you’ve never heard of Mad Libs, it’s basically a kind of kids’ activity book that helps you create silly stories. The booklet asks for examples of different kinds of words (parts of speech like “adjective” or more specific kinds of words like “color”). The words will be used in a specially written story, but you don’t know exactly how they will be used. After all the words have been written down, you copy them into the story and read it aloud to see how it sounds.
Every once in a while, I tell someone the story of the time my mom and I did a Mad Libs story that made us laugh like crazy. In fact, there’s already a blog post about it. See below for more on that story, which I rediscovered on my recent trip to Atlanta.
This package of Japanese Kyuri from Malaysia says:
Rich in nutrients, Cucumber are excellent in salads, sandwiches, stir-fry and sushi.
Here, the fact that the singular is being treated like a plural makes it sound as if cucumbers are exotic animals like bison or buffalo.
Recently, though I don’t have a photo, I saw a sign in front of some model planes (in the Tin Tin shop strangely located on Pagoda St in Chinatown) that was advertising “aircrafts for sale”. Ack. No.
For a variety of historical reasons, English has many kinds of nouns that are annoyingly difficult to pluralize, and Wikipedia helpfully lists them.
Interestingly, the cucumber package shows ‘salads’, ‘sandwiches’, ‘stir-fry’, and ‘sushi’ all in the correct form, even though ‘salad’ requires an ‘s’, ‘sandwich’ requires ‘es’, and ‘stir-fry’ and ‘sushi’ are uncountable.
Why, then, was it so hard to give ‘cucumber’ its plural ‘s’?
And why is it capitalized?!
When my husband took me to a squinchy Japanese restaurant that had high chairs at a bar-style counter, the server laconically instructed me to put my bag “downstairs”, which meant “on the shelf under the seat of the chair”.
I have heard English teachers eager to hold students accountable for their spoken language deride this common Singlish use of “downstairs”, but it’s wonderful (and typical) in its succinctness.
If you use the preposition “under”, you have to include a noun for the preposition to be, well, positioned in front of. If you use the adverb “downstairs”, you’re just saying something needs to go below something else, and letting context do the work of indicating what the something else is.
Chinese has a phrase approximately meaning “down side” which can be used the way the server was using “downstairs” to adverbially indicate “under something”. It also has phrases meaning “up side”, “behind side”, “opposite side”, etc., and you can say “located opposite side” without needing to say “located opposite the hotel”, for example, the way we can say in English that “the receipt is in the bag” or just “the receipt is inside”.
I get the sense that Chinese relies on context more than English, or at least relies on context in ways that English doesn’t, since a large proportion communication in any language is always shared context.
This sign in the Kent Vale lift says:
For children between 6 to 16 years
When you have two numbers, you need “between… and”, or “from… to” not “between… to”.
For children from 6 to 16 years old
For children between 6 and 16 years old
I’ve seen this problem before.