Tarzan (1999)

I need to stop reading a book and then immediately watching the movie. This makes the movie feel incredibly short! I just did that with Project Hail Mary, and now I’ve done the same thing with Tarzan.

Tarzan by Edgar Rice Burroughs is not a long book, yet there are soooo many details from the book missing from the movie. There are also a lot of changes as well as omissions.

Below is a non-exhaustive brainstormed list of differences. Beware SPOILERS of both the Disney movie and the original book.

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Anastasia (1997)

According to Wikipedia, there was a 1956 movie based on a 1952 French play based on the idea that Anastasia survived. Also, the phenomenon of people claiming/pretending to be Anastasia is real, and the play is based on the most famous of these. (The story continues to evolve: a 2016 stage musical included some of the same songs and characters, but substituted or added others.)

The rags-to-riches plot of this 1997 movie makes it feel like a standard Cinderella tale, but now that I think about it, the story may be more like Pygmalion (or My Fair Lady): a man fabricates an identity for a woman, then falls in love with her. That arc fits better with the 50s versions, though: in the 90s cartoon, the woman really was a princess all along. (Edit: It’s not my imagination… again, according to Wikipedia, they actually considered adapting My Fair Lady and deliberately took elements of Pygmalion. But I noticed the similarity myself.)

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How to Train Your Dragon (2025)

This movie is a remake of the 2010 animated movie How to Train Your Dragon. That means it’s time once again to play Spot the Differences!

Although there are some changes that I personally don’t like, I think they did a great job overall. (Still, the original was better.)

DreamWorks did less revamping than Disney has been doing in their live-action remakes of animated classics. It may be that few changes seemed necessary because 2010 wasn’t that long ago (the live-action Cinderella movie was made 65 years after the 1950 original), or it may be because DreamWorks made a conscious decision to change as little as possible, or it may be both. (Often it’s both.)

So what did change, and why?

You probably don’t want to read this post if you haven’t seen the new movie, and it won’t make sense at all if you haven’t seen the new movie or the old movie. Instead, please enjoy this photo of the counter where I bought gelato after exiting the cinema.

I chose sea-salt coconut, tiramisu, and blueberry. Mmmm!

EDIT: I added some notes after I watched it again.

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How to Train Your Dragon (2010)

I didn’t see this 2010 movie for the first time until 2014, and I’m not sure I fully appreciated it at the time. It is probably one of my top five favorite movies ever.

It has a dragon who is unbelievably powerful and cool but also catlike, silly, and adorable; it has a geeky underdog protagonist with a gratifying self-actualization plot; it has a romantic subplot featuring an immensely capable and hardworking girl; it has an awesome soundtrack; and it has the best aerial joyrides!

Siqi put in the DVD of HTTYD to test our new living room audio setup: he connected a new (used) pair of speakers behind the sofa, so now our system is 5.1 instead of 3.1. Pretty awesome! 🙂

Onward (2020)

Either Onward wasn’t that great, or I was in a weird mood when I watched it.

Or maybe the previews ruined it. I prefer to watch movies that I know nothing about. Movie trailers that show you jokes from the movie are awful, because a joke is really only funny when it’s a surprise.

Or maybe it’s that I don’t like movies about high school. Onward is about a magical quest, sure, but it is also somewhat about being in high school. I don’t think I’ve ever seen a television or film depiction of “the American high school experience” that bore any resemblance to my own high school experience. Relatability fail. Every time.

Or maybe it’s that the movie can’t be about an epic quest and high school at the same time… too much cognitive dissonance.

Or maybe it’s that Pixar’s charm is fading; too much reliance on a formula? The story did seem to have the odor of plot coupons — not that the brothers had to physically collect things, but they did go through a series of preordained steps to reach a goal. Sure, there was a meaningful ‘inner’ journey, but the outer journey seemed a bit paint-by-numbers.

It’s not that it was a bad movie. It was good. But I couldn’t love it whole-heartedly.

The funniest part of Onward was the scene at the chasm. I laughed so much! But there are some really, really sad moments too… And some cringey ones, which is probably another reason I didn’t like the movie as much as I was hoping to.

Watch on Amazon

See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

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The Swan Princess (1994)

I didn’t see The Swan Princess when I was a kid so I have no happy nostalgic feelings for it. I have almost no happy feelings for it at all, to be frank. It was the stupidest thing I’ve seen in a long time.

Was the whole thing terrible? No… The villain song was good. Still, although I love me a good villain song (Ursula’s in particular), even a great villain song can’t hold up an entire movie.

And no, in case you were curious, the plot is nothing like the plot of the ballet. That’s what I’m told, anyway, and I believe it—in part because I can’t imagine a ballet that would be anything like this movie.

Whereas The Swan Princess seems hopelessly outdated, Beauty and the Beast, which came out three years earlier, seems like a timeless classic. I hesitate to even compare the two, though they are both early nineties princess cartoons. A less unfair comparison to make would be with Thumbelina (1994), which came out the same year… and was also terrible.

Maybe kids like this nonsense… after all, The Swan Princess has like… eight sequels! Still, I think children deserve better.

The Lion King (2019)

Okay, Disney. The Lion King (1994) is my, like, second-favorite Disney cartoon. How are you going to handle it? Hopefully with great care.

You want to change the jokes?
Great. That’s a must.

You want to give Nala some kind of “Lion Queen” status, more agency, even her very own second-tier villain?
Fine. Do that. Yay for us wimmin.

But then, you also want to take away Rafiki’s words of wisdom? You’d better have a good reason!

You know what I’m talking about… right?

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