Tag: kids’ movies

The Lego Batman Movie (2017)

Silly? Absolutely, but it’s also clever, amusing, and deep.

Why deep? Lego Batman is successful and proud, but isolated, lonely, and feeling more and more rejected as he realizes that his time has passed. It’s no longer cool to be a vigilante; justice has to be dispensed democratically. Lone heroes are old hat; today’s heroes need to leverage teamwork. No man is an island, not even Lego Batman, who lives on one.

Seriously, this cartoon beats Dawn of Justice hands down.

https://itunes.apple.com/us/movie/the-lego-batman-movie/id1197505667

Despicable Me 3 (2017)

Thankfully, the minions were relegated to the second subplot, and the plot and first subplot had interesting things to say about brotherhood and motherhood, respectively.

Despicable Me 3 was silly, very silly, but fun. The villain was a grown-up 80s child star resentful of his fall from favor in his teen years, and still embodied the fads and styles of his best years. I’m an old millennial, and I buy movie tickets… bring on more of this 80s nostalgia, I say!

https://itunes.apple.com/us/movie/despicable-me-3/id1247589650

The Boss Baby (2017)

I was expecting a terrible comedy, but this Dreamworks cartoon explores some emotional family themes and has a fantasy premise that is inventive yet strangely logical: the corporation in charge of sending babies to Earth is concerned that humans are starting to prefer puppies to babies, so they send down the Boss Baby as an undercover agent, with the result that the baby’s older brother gets jealous, discovers that the Boss Baby isn’t really a baby, and then has to help save the world from indifference to newborns.

https://itunes.apple.com/us/movie/the-boss-baby/id1216954198

Big Hero 6 (2014)

This was at least the second time I have watched this movie. Here are some scattered thoughts about it (no spoilers).

I like it. It’s fun. Some young people get superpowers because science! (Cue the Arthur C. Clarke quote about sufficiently advanced technology and magic.)

I liked the alternate universe of San Fransokyo.

I keep wanting to call the inflatable healthcare robot “Betamax”, even though his name is “Baymax”.

The scene where Baymax emerges in Hiro’s room for the first time really made me laugh.

The whole movie dances knowingly on the border between parody and wry self-reference: not only does the audience know that the characters are in a superhero team’s origin story, the characters do, too.

The choice of bad guy was a pleasant surprise, and the motivation they gave him made a lot of sense. He wasn’t just evil for the sake of being evil.

Hiro goes on a believable emotional journey. The movie has real heart.

Anything with an airborne joyride in it gets a thumbs up from me.

https://itunes.apple.com/us/movie/big-hero-6/id929423754

Cars 3 (2017)

I was wondering what the core idea would be for this movie. Cars 2 took the racers around the world. Where would Lightning McQueen go next? What was bigger and better?

The moviemakers obviously had a very different idea. They didn’t go bigger and better, they went deeper. The second sequel to Cars is about the passage of time and the passing of the torch; it’s about generations past and future, and the changing roles we play in our lives.

The settings include a gorgeous montage of roadside scenery across the US, plus nostalgic vignettes of a fictional sleepy town thought to be located somewhere in the Carolina mountains.

It was sad, it was happy, it was very American… and it was good.

https://itunes.apple.com/us/movie/cars-3/id1242569993

Beauty and the Beast (2017)

About a year ago, I re-watched the Disney cartoon Beauty and the Beast. Watching the live-action/CGI remake, I felt gratified to notice some changes that improved the story. IMO, not all the changes were good, but overall I thought it was a success. In fact it was a phenomenal commercial success, though sadly it’s still listed below Frozen.

https://itunes.apple.com/us/movie/beauty-and-the-beast-2017/id1212678379

See below for more opinions. Beware of SPOILERS.

Continue reading Beauty and the Beast (2017)

Frozen (2013)

Oh, where to start. I’m stuck. I am, as it were, frozen.

Right. Well, when all else fails, go back to the beginning.

Frozen, like The Little Mermaid, is a Disney adaptation of a Hans Christian Andersen story. As a child I watched the low-budget Faerie Tale Theatre Snow Queen, which is a lot closer to the Andersen story. The Disney version of the tale has some stunning visuals and one good song, but—for reasons having nothing to do with other versions—I think its story is deeply flawed.

Though some say it’s a story about the problematic relationship between two sisters, I’d say Frozen is one girl’s coming-of-age tale or rite-of-passage story. Rite-of-passage stories have a life problem, a wrong way of addressing it, and a moment of acceptance. Anna’s problem is her sister’s unwillingness to face the world. Anna spends the whole movie wrongly acting as if she can soothe her sister’s fear, and totally fails because Elsa has to master her fear herself. Anna grows up when she accepts her sister as-is. Seems simple, right? Disney went and made it all complicated.

https://itunes.apple.com/us/movie/frozen/id741238771

See below for more on why I thought Frozen was disappointing, including a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading Frozen (2013)

The Snow Queen (1985)

This version of Hans Christian Andersen’s classic tale isn’t exactly authentic, but it’s closer to the original than Disney’s Frozen—not that authenticity is necessarily what I’d want a film version of an Andersen tale to aim for, given how didactic and depressing the stories can be.

I remember seeing this short live-action Faerie Tale Theatre production when I was little. The sets all look more than just a bit fakey-fakey now, but they were real enough to a kid with an imagination, and the snow queen’s ice palace still gives me a palpable sense of cold. Her glittering makeup makes her look dangerous, beautiful, and otherworldly.

See below for a plot summary.

Continue reading The Snow Queen (1985)

Thumbelina (1984)

“It’s just that I’m always the bride and never the bridesmaid…”

Thus quips Carrie Fisher in her 1984 role as Thumbelina, the diminutive heroine of one of Shelley Duvall’s Faerie Tale Theatre productions.

After Thumbelina escapes the mother toad who kidnaps her as a bride for her son, she lives alone in the woods until winter, when she is rescued by a field mouse, whose neighbor the mole falls in love with her. Her host believes her marriage to the mole is a foregone conclusion; thus her frustration.

I watched this Faerie Tale Theatre episode after I saw the truly awful Don Bluth movie and re-read the original Andersen tale, both of which include yet another suitor (a beetle whose friends find Thumbelina ugly).

More details about this version below.

Continue reading Thumbelina (1984)

Thumbelina (1994)

“Let’s get out of this stinking weather before we’re statistics. I can’t even feel anything in my feelers anymore.”

That’s a brilliant pun. It’s the best line of dialog in the whole movie, and like all the best lines in Thumbelina, it belongs to the beetle, who sounds like Iago in Disney’s Aladdin. (Both characters were voiced by Gilbert Gottfried.)

Unfortunately, “can’t feel anything” describes the effect the movie had on me. In spite of all the supposedly empowering messages in it that could have been meaningful, it left me numb.

If you saw and enjoyed Thumbelina when you were little, maybe you can see and enjoy it now. Otherwise, I’d say the odds are slim to none.

Watch on Amazon

Keep reading for more (MUCH more) on why I didn’t like the movie, along with a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading Thumbelina (1994)