City of Ember (2008)

Never judge a book by its movie. City of Ember (the movie) is only okay, but City of Ember (the book) is fantastic.

Deep underground, the people of Ember have never seen the sun and don’t even know it exists. The builders of their city planned for them to emerge, but that plan was lost and forgotten, and now Ember is running out of supplies, and its generator, without which there is no light, is breaking down. Will the builders return to save the people of Ember, as some believe? Will the mayor come up with a plan for his people? Or will it be up to Lina and Doon to rediscover the lost exit to the surface?

The premise is great. However, the movie lacks the focus of the book because some added elements don’t quite fit, some of the positive thematic messages are missing, and some of the action shots were created with awkward CGI. Also, personally, I’m not fond of Bill Murray.

I think The City of Ember would be great as a television series, because a TV show could spend a lot more time developing the characters and exploring the unique underground world.

Watch on Amazon

See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading City of Ember (2008)

The Nutcracker and the Four Realms (2018)

When I started seeing movie posters for The Nutcracker and the Four Realms, I was curious but apprehensive. Watching the movie, I was pleasantly surprised.

Unlike the 1993 film featuring ballet student and Home Alone star Macaulay Culkin, the movie is not merely a recording of a stage performance of the ballet, nor is it a musical, nor does it follow the “story” of the ballet. It’s a through-the-looking glass version, a mirror image, or echo of the story in the ballet. The film includes a bit of ballet and some of the musical themes, but mostly it is a beautiful, original, inspiring fantasy.

The sets, CGI, and costumes are impressive, but the strength of the movie is the theme it expresses: how to deal with the loss of a loved one. There are healthy ways and unhealthy ways, both demonstrated dramatically.

Other solid, admirable themes are family togetherness, friendship and loyalty, creativity and curiosity, bravery, compassion and forgiveness, choice, and belief in one’s self.

With so much for the protagonist to learn on her adventure, I don’t see how detractors can call the movie ‘soulless’. Did we even watch the same movie? Whatever their reasons, critics and audiences don’t seem to like this movie nearly as much as I did, saying it’s as clunky as that ambitious 2018 flop, A Wrinkle in Time. That’s not fair at all. Four Realms is miles better than A Wrinkle in Time.

Maybe the detractors don’t award as many points for theme as they do for how subtly those themes are expressed. Some hoped for more ballet, others hoped for more music. Some wanted it to be scarier, others wanted it less scary. Maybe they all simply had higher expectations. Maybe nobody quite knew what to expect at all. I agree the film could have been better, but I think it was actually pretty decent. This review at Empire Online agrees with me.

See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading The Nutcracker and the Four Realms (2018)

Ballerina aka Leap! (2016)

Work hard, believe in yourself, and your artistic dreams will take flight… Great idea, poor execution. For a movie about poise, it’s not very well balanced.

Arguments can be made that every “follow your dreams” movie is unrealistic. I enjoy the well made ones, but Ballerina stretches the imagination too far. The ballet lessons Felicie weasels her way into, even combined with extra training, don’t span enough time for a real transformation from total beginner to top of the class. Passion is not a substitute for experience.

Worse, perhaps, the story was not emotionally well modulated; for example, the song at the very beginning is triumphant rather than wistful. A character who starts off confident has nothing much to learn.

Do you like subplots? For antagonists, we’ve got two different people who run the orphanage, the ballet rival, and the rival’s mother. There are two helpers: the mentor and the ballet teacher, plus the inspiring deceased mother in the backstory. Then there are two romantic interests: the childhood friend, and the Parisian. Got that?

Don’t watch this movie if you’re afraid of heights. I’m not bothered by flying contraptions or people walking on roofs: I think that stuff is great—even if it’s just as unrealistic as learning ballet in a week. Go figure.

https://itunes.apple.com/us/movie/leap/id1271027079

A Wrinkle in Time (2018)

This ambitious film adaptation of a ground-breaking children’s sci-fi novel was faithful to the book in fits and spurts, and in some ways it was better. Still, I agree with the box-office receipts on this one: not a winner.

I’m biased towards the book because I read it growing up and remember it vividly. Since screenplays can’t accommodate as many details as even the shortest of novels, liking this movie was going to be difficult in any case. That being said, the movie has some real flaws, about which, more below.

https://itunes.apple.com/us/movie/a-wrinkle-in-time-2018/id1353642886

See below for some comparisons with the book and a list of reviews as well as a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading A Wrinkle in Time (2018)

The Lego Movie (2014)

The Lego Movie looks like a transparent marketing ploy, but there’s more to it than that. It is surprisingly good. (So is The Lego Batman Movie, but reportedly The Lego Ninjago Movie isn’t.)

The Lego Movie is chock-a-block with jokes, only some of which are of the unsubtle variety, but it has a message, too: we all want to feel special, and in some way or other, we probably are, if we choose to see ourselves that way.

https://itunes.apple.com/us/movie/the-lego-movie/id805178535

I liked the playfulness of the script and inventiveness of the visuals in the fights and chases. I am choosing to overlook the overly didactic name of the villain.

See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading The Lego Movie (2014)

Coco (2017)

I thought I disliked Olaf the snowman because he falls apart all the time, but I didn’t dislike Miguel’s skeleton ancestors in Coco when they fell apart (over and over again) in the oddly godless land of the dead, so it must be something else about Olaf that rubs me the wrong way. Sadly, the creators of Frozen made him the central character in the animated short Olaf’s Frozen Adventure, which played before Coco.

Coco was totally worth the wait, however. The storytelling was crystal clear, emotional, and well-structured, with appropriate foreshadowing, lots of call-backs, and some stunning visuals. I couldn’t believe that a couple of adults next to me in the theater found it hard to stay awake; I found it hard not to cry.

Coco is the story of Miguel, the youngest in a long line of Mexican shoemakers. Coco is Miguel’s ancient great-grandmother. Coco and her mother were abandoned by an aspiring music man, so no one in the family is allowed to sing or play an instrument. They’re all fine with that… except Miguel. He wants nothing more than to be allowed to develop his musical talent. Eager to prove himself, he tries to steal the guitar from the tomb of a famous local musician so he can enter a competition being held as part of the town’s Day of the Dead celebrations. The theft doesn’t go as planned, and Miguel finds himself on a quest that teaches him about the dangers of ambition and the value of family.

Watch on Amazon

See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading Coco (2017)

Olaf’s Frozen Adventure

It was pretty weird seeing a story about European winter traditions in a theater in tropical Southeast Asia, where Chinese New Year is a more important family holiday than Christmas. Here, if Christmas is commercialized, it’s at least partly because many people aren’t actually Christian.

This Christmas featurette stars Olaf, who I never liked, being just as annoying as ever. His broken-fourth-wall deadpan comments failed to amuse. Meanwhile, Anna and Elsa were so perfect as to be utterly boring, and Christoff was milked for awkward gross-out humor. I didn’t like the feature film Frozen much to begin with, but Olaf’s Frozen Adventure was terrible.

I’m not the only one who didn’t like the short. The reasons mostly seem to be that Pixar usually produces shorts that are surprising, cute, and clever, whereas this one was dull and obviously commercially motivated, and not even all that short.

I did catch Elsa saying “I’m sorry”—which she never does in the entire movie where she’s kinda (but not really) the villain. So there’s that.

https://itunes.apple.com/us/movie/olafs-frozen-adventure-includes-6-disney-tales/id1318611806

“This special collection also includes 6 winter-themed tales (46 min) featuring classic Disney characters—Donald Duck in The Hockey Champ, Goofy in The Art of Skiing and Mickey Mouse in the holiday treat Pluto’s Christmas Tree—as well as Once Upon A Wintertime, Winter and Polar Trappers.”

The Lego Batman Movie (2017)

Silly? Absolutely, but it’s also clever, amusing, and deep.

Why deep? Lego Batman is successful and proud, but isolated, lonely, and feeling more and more rejected as he realizes that his time has passed. It’s no longer cool to be a vigilante; justice has to be dispensed democratically. Lone heroes are old hat; today’s heroes need to leverage teamwork. No man is an island, not even Lego Batman, who lives on one.

Seriously, this cartoon beats Dawn of Justice hands down.

https://itunes.apple.com/us/movie/the-lego-batman-movie/id1197505667

Despicable Me 3 (2017)

Thankfully, the minions were relegated to the second subplot, and the plot and first subplot had interesting things to say about brotherhood and motherhood, respectively.

Despicable Me 3 was silly, very silly, but fun. The villain was a grown-up 80s child star resentful of his fall from favor in his teen years, and still embodied the fads and styles of his best years. I’m an old millennial, and I buy movie tickets… bring on more of this 80s nostalgia, I say!

https://itunes.apple.com/us/movie/despicable-me-3/id1247589650

The Boss Baby (2017)

I was expecting a terrible comedy, but this Dreamworks cartoon explores some emotional family themes and has a fantasy premise that is inventive yet strangely logical: the corporation in charge of sending babies to Earth is concerned that humans are starting to prefer puppies to babies, so they send down the Boss Baby as an undercover agent, with the result that the baby’s older brother gets jealous, discovers that the Boss Baby isn’t really a baby, and then has to help save the world from indifference to newborns.

https://itunes.apple.com/us/movie/the-boss-baby/id1216954198