I attended a talk on worldbuilding by Singaporean author JY Yang and took some photos and notes. My notes are not comprehensive, but are hopefully characteristic.
In keeping with Yang’s preferences, in the notes below, I have used they/them/their pronouns. (Still, being somewhat of a traditionalist in the realm of English grammar, I wish there were a distinct gender-neutral singular.)
About JY Yang (from Sing Lit Station)
After six years of writing speculative fiction, JY Yang finally finds themselves at the end of the critically acclaimed and bestselling Tensorate series, with the fourth and final volume, The Ascent to Godhood, out in July this year. As a postcolonial feminist writer who deals specifically with gender, cultural imperialism and structures of power in their work, JY Yang is currently embarking on the epic journey of crafting their first novel-length work of fiction. Described as a far-future space opera centred on the descendants of a doomed generation ship, it has giant robots, space stations under siege, emperors and hierophants, holy artifacts and faster-than-light travel. It is Joan of Arc meets Gundam.
About the Event (Worldbuilding “Lecture” at Sing Lit Station)
There were no PowerPoint slides; I can’t imagine the talk proceeding in that way. Yang was animated, spontaneous, and concise in sharing about their struggles and successes as a writer. The talk was neither wholly about worldbuilding nor off-topic, neither wholly driven by the author nor wholly driven by the audience. The chairs were filled, but there was space for everyone. It was a good-sized group, but still felt intimate. A delightful event.
Continue reading New Terrain / New Works featuring JY Yang at Sing Lit Station