Edge of Tomorrow is Groundhog Day but with hostile aliens.
I have mixed feelings about it. On the one hand, I love Tom Cruise’s humorous approach and his dedication to the role; the special features talked a lot about how much effort was required to operate in the exosuit and how central the suit was to the portrayal of the main character, whose gradual transformation Cruise made believable. On the other hand, I found the war very real and very threatening.
This review has interesting things to say.
The repetition of certain shots and/or scenes is deftly handled and serves the story without ever becoming cumbersome, gimmicky or overused – which is really a feat in and of itself.
More on what I liked and disliked about the movie, including spoilers, below.
Continue reading Edge of Tomorrow (2014)
This post is part of a series of posts on books and movies about the legend of Robin Hood. It discusses the 2006 television show.
Continue reading Robin Hood (2006)
I am reminded vaguely of:
- Blade Runner, because the cyborg was contemplating its identity.
- Firefly, because it was set in Hong Kong in the future, where there was both English and Chinese.
- X-Men, because it had a theme of mutation and change as necessary for progress.
- Childhood’s End, because evolution made a huge leap to something transcendental.
- RahXephon, because it had weird music.
- The Matrix, because of the green numbers and the neck plugs.
IMO, the exposition was too heavy-handed for the whole thing to come off as subtle and beautiful and deep.
I didn’t like the American voice actors’ performance, which seemed flat or dull, perfunctory. Also, the English subtitles were completely different from the English spoken track.
The source material is Japanese, but the setting really is Hong Kong… In one scene there’s even a jet coming in for a landing at Kai Tak Airport right over the city.
The special features on the disc showcased the beginning of the use of CGI and digital editing; the movie was a combination of hand-drawn and computer techniques.