Modern technology is great, right? For a while now it’s been the case that when you go to a movie theater, they don’t have to change projectors and load film reels during screenings because all the film has been spliced together and plays through one projector.
Screenings in Singapore, the ones that aren’t IMAX or 3D, all seem to bear the label “Digital”, so one assumes that perhaps in most cases, there’s no film at all. Maybe that upsets traditionalists, and maybe there are some things about analog films that are better than digital films, and connoisseurs will prefer to make pilgrimages to theatres that stick to older-style projectors, but on the whole I assume digital screenings are an improvement.
My assumption was tested when my husband and I went to watch a digital screening of Baby Driver. Somewhere maybe two-thirds of the way through, we lost the picture. The audio continued, but all we could see were some colorful, unmoving shapes and stripes on the screen. The few of us in the small theater seemed to wake as if from a dream, and started looking around awkwardly.
Someone was found to complain to, the audio and screen were shut off, hasty, vague explanations were made, people passed the time on their mobile phones. They never managed to get the movie going again. We agreed to accept movie ticket vouchers and come back another day.
Below is a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat. I’ve included my predictions for what I think happens in the last third of the movie, which I didn’t see (or read about online).
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Continue reading Baby Driver (or not)