Big Hero 6 (2014)

This was at least the second time I have watched this movie. Here are some scattered thoughts about it (no spoilers).

I like it. It’s fun. Some young people get superpowers because science! (Cue the Arthur C. Clarke quote about sufficiently advanced technology and magic.)

I liked the alternate universe of San Fransokyo.

I keep wanting to call the inflatable healthcare robot “Betamax”, even though his name is “Baymax”.

The scene where Baymax emerges in Hiro’s room for the first time really made me laugh.

The whole movie dances knowingly on the border between parody and wry self-reference: not only does the audience know that the characters are in a superhero team’s origin story, the characters do, too.

The choice of bad guy was a pleasant surprise, and the motivation they gave him made a lot of sense. He wasn’t just evil for the sake of being evil.

Hiro goes on a believable emotional journey. The movie has real heart.

Anything with an airborne joyride in it gets a thumbs up from me.

https://itunes.apple.com/us/movie/big-hero-6/id929423754

Ex Machina (2014)

This is not the kind of thing I typically watch, and it is creepy. Very well done, very thought-provoking, but in the end, creepy as all heck.

Tomorrowland was a cheerful attempt to show technology as ultimately good, which is not a popular thing to do, and might not have succeeded. Ex Machina is an attempt to show technology as ultimately scary, which is maybe also not easy, but more often succeeds—certainly it succeeded in this case.

There are only a handful characters in the movie, but their interactions are fascinating. The dialog does a better job of exploring the “ghost in the machine” theme than either of the Ghost in the Shell movies. The movie tackles the nature/nurture debate from the standpoint of art, using a Jackson Pollock painting as a metaphor for choice. The setting, which serves to underscore the contrast between man and machine in the movie, is a supermodern forest retreat which (as I surmised) actually exists.

https://itunes.apple.com/us/movie/ex-machina/id983488795

Below are some thoughts on this movie and other android movies, as well as a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat, because even indie movies have a rising-falling plot structure.

Continue reading Ex Machina (2014)

Tomb Raider (2001)

To me, this movie was always “that famous one about the hot female character from some video game I’ve never played because (a) I’m not a guy and (b) I prefer games where I get to make colored shapes disappear.” Even after I went to Cambodia and poked around in the tree-covered fallen temple famous for having been in the movie, I didn’t really much care whether I ever saw Tomb Raider or not.

Now that I’ve seen it, I understand what all the fuss was about: this movie launched Angelina Jolie’s career. The character is awesome, and the stunts are awesome, and Angelina Jolie is awesome for playing the character and doing the stunts.

https://itunes.apple.com/us/movie/lara-croft-tomb-raider/id211293149

Nevertheless, the whole thing felt like an expensive, lame joke. I think I enjoyed Prince of Persia more. The movie I was most reminded of was the lopsided 2017 China/India project Kung Fu Yoga, in which Jackie Chan unleashes his inner Indiana Jones.

I live in Southeast Asia and have been to Cambodia multiple times because Angkor Wat is the awesomest UNESCO heritage site in the region. See below for more of my thoughts on the movie’s setting.

Continue reading Tomb Raider (2001)

Cars 3 (2017)

I was wondering what the core idea would be for this movie. Cars 2 took the racers around the world. Where would Lightning McQueen go next? What was bigger and better?

The moviemakers obviously had a very different idea. They didn’t go bigger and better, they went deeper. The second sequel to Cars is about the passage of time and the passing of the torch; it’s about generations past and future, and the changing roles we play in our lives.

The settings include a gorgeous montage of roadside scenery across the US, plus nostalgic vignettes of a fictional sleepy town thought to be located somewhere in the Carolina mountains.

It was sad, it was happy, it was very American… and it was good.

https://itunes.apple.com/us/movie/cars-3/id1242569993

Tomorrowland (2015)

I think the vagueness of the looming disaster that the protagonists have to avert prevents the movie from being a great one, but there’s lots to delight the imagination in Tomorrowland, and the underlying message, the glorification of hope and creativity, is one I can get behind.

I don’t know who this retro-futuristic dys/utopian sci-fi/fantasy family mystery/thriller nostalgic road adventure movie was made for, because it’s got admirable protagonists in three different age groups, and that’s not the only thing that makes it a bit strange. Whatever else it may be, however it might be said to fail, it’s definitely original.

https://itunes.apple.com/us/movie/tomorrowland/id990865721

Below are some notes on what I thought the message of the movie was as well as a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading Tomorrowland (2015)

Baby Driver (2017)

Previously, my husband and I saw part of Baby Driver in the theatre, but the equipment broke and we didn’t see the end.

My predictions for what would happen were pretty far off! Already a strange movie, Baby Driver just kept getting stranger. I’m so glad we managed to return to the theatre to see the ending, and I’m glad we chose to see it in the first place. It was interesting and different. (Now I really want to see Ant-Man because it’s by the same director.)

See below for ways I was wrong or right, the things I noticed the second time around, the beat sheet for the end of the movie, and a list of interesting movie-related articles.

Watch on Amazon

Continue reading Baby Driver (2017)

Baby Driver (or not)

Modern technology is great, right? For a while now it’s been the case that when you go to a movie theater, they don’t have to change projectors and load film reels during screenings because all the film has been spliced together and plays through one projector.

Screenings in Singapore, the ones that aren’t IMAX or 3D, all seem to bear the label “Digital”, so one assumes that perhaps in most cases, there’s no film at all. Maybe that upsets traditionalists, and maybe there are some things about analog films that are better than digital films, and connoisseurs will prefer to make pilgrimages to theatres that stick to older-style projectors, but on the whole I assume digital screenings are an improvement.

My assumption was tested when my husband and I went to watch a digital screening of Baby Driver. Somewhere maybe two-thirds of the way through, we lost the picture. The audio continued, but all we could see were some colorful, unmoving shapes and stripes on the screen. The few of us in the small theater seemed to wake as if from a dream, and started looking around awkwardly.

Someone was found to complain to, the audio and screen were shut off, hasty, vague explanations were made, people passed the time on their mobile phones. They never managed to get the movie going again. We agreed to accept movie ticket vouchers and come back another day.

Below is a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat. I’ve included my predictions for what I think happens in the last third of the movie, which I didn’t see (or read about online).

Watch on Amazon

Continue reading Baby Driver (or not)

In Time (2011)

Do you like puns? And sci-fi? Okay, then maybe you can forgive this movie for starring Justin Timberlake and having only a vague plot, because it has an interesting premise and lots of clever dialog.

The premise is that someone has figured out how to stop everyone from aging when they hit age 25, and after that, time really is money: the poor are even more susceptible to dying early than they are in the real world, while the rich can effectively live forever. You buy things by transferring time from your wrist to someone else’s, or to a machine. Your account balance is shown in green glowing numbers on your arm, and every second, well, counts.

Enter our working-class protagonist, who gets a lucky break and then goes all Robin Hood. As you might expect, he and his girlfriend try to take down the system. They face off against an enforcer played by Cillian Murphy, who is beyond creepy in Batman Begins and presumably also in Red Eye, which I didn’t see.

https://itunes.apple.com/us/movie/in-time/id476869088

Looking for some actual good science-fiction? Try Gattaca. Same director, better result. Both movies have nifty retro-futuristic cars and important ocean scenes.

Beauty and the Beast (2017)

About a year ago, I re-watched the Disney cartoon Beauty and the Beast. Watching the live-action/CGI remake, I felt gratified to notice some changes that improved the story. IMO, not all the changes were good, but overall I thought it was a success. In fact it was a phenomenal commercial success, though sadly it’s still listed below Frozen.

https://itunes.apple.com/us/movie/beauty-and-the-beast-2017/id1212678379

See below for more opinions. Beware of SPOILERS.

Continue reading Beauty and the Beast (2017)

Red Cliff II (2009)

Red Cliff was released as one (not very admired) edited movie, but it was also released in two glorious full-length parts. I wrote about the first part already; this is my post about the second part.

Considering the two movies as parts of a whole, it’s not surprising that the first one is more playful and triumphant and the second one is bloodier and more sombre. The theme of the first movie is that David Can Beat Goliath; the theme of the second movie is that War Is Bad. I think the two parts work well together, and I liked both movies.

Keep reading for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.

Continue reading Red Cliff II (2009)