Musicophilia is a collection of neurological anecdotes all dealing with music.
It never ceases to amaze me how much we can learn a lot about brains from by studying those with damaged or otherwise unusual ones, and I’m very grateful that Oliver Sacks not only dedicated so much of his own ample brainpower to that very task, but also chose to transform his professional experience into reasonably accessible stories for non-experts. Not being anything like as musical as Dr. Sacks, however, I found it a bit difficult to relate to him as a narrator of tales specifically about music.
Sometimes he used the word “music” to refer to “serious Western classical music” in a way that seemed to indicate that pop songs obviously didn’t count. I think I would have felt the book was several degrees more approachable if he had started out with some acknowledgement of the wide variety of music in the world, and then explicitly characterized some of it as being more cognitively challenging or worthwhile to produce and consume, and therefore more relevant to many of his case studies and much of his discussion of them, rather than leaving such things implied but largely unsaid.
All in all, not one of the better Oliver Sacks books, but still, like all eight of the other Oliver Sacks books I’ve read so far, undoubtedly worth reading.
When and Why I Read Musicophilia
Whatever Oliver Sacks writes about, he approaches it in an educated, thoughtful way. With footnotes. I especially enjoy reading what he has to say about brains.
Genre: non-fiction (neurology, music)
Date started / date finished: 12-Apr-17 to 24-Apr-17
Length: 391 pages
ISBN: 9781447222705 (paperback)
Originally published in: 2007
Amazon link: Musicophilia