Tomb Raider (2018)

The rebooted Tomb Raider, like its bizarre 2001 predecessor, is an archaeological action-adventure movie based on a video game starring a feisty, attractive young woman named Lara Croft.

There is much that you’d expect: a mysterious ancient text, an exotic locale, booby traps, and of course a plunge off a cliff into a river that flows towards the inevitable waterfall. However, although the waterfall itself is no surprise, the scene where Lara barely escapes going over the edge of it has to be seen to be believed. It isn’t quite like any other.

It’s not just the details that are different; the backstory is new, too. In the 2001 movie, Lara is rich and lives in the family mansion like some kind of female Bruce Wayne. In the 2018 movie, she’s a penniless hipster who refuses to take possession of her inheritance because it would mean giving up hope that her missing father will return.

I enjoyed it. The consensus seems to be that although the leading actress (Alicia Vikander) did a great job, Tomb Raider was disappointing. Sadly, this origin story was obviously intended to make way for a sequel—one that may never materialize.

Tomb Raider Reviews

  • Roger Ebert says it was better than expected, and doesn’t feel like it’s copying from a game.
  • Variety calls it a “rare thing, a propulsive blockbuster with a bit of heart” and “escapism that breathes”.
  • The Guardian‘s Peter Bradshaw was bored.