A Room with a View by E.M. Forster

A Room with a View was the Hungry Hundred Book Club book for May. The group leader, Rachel, started off the discussion at the well-attended meetup with an interesting question:

Is A Room with a View primarily a love story, a coming-of-age story, or social commentary?

Since the book has elements of all three, the answer to the question says as much about the reader’s perspective as it does about the book itself. How much people enjoyed the book depended very much on what they thought it was trying to do and what they thought it did well, thus the question served not only to kick off the discussion but also to guide and shape it.

At the end of the discussion, we rated the book. It garnered perhaps only one rating of five stars, but many of three or three-and-a-half or four, as well as a couple of very low ratings (0.5 and 2). The reason for the less-than-spectacular average rating seemed to be that Forster was undeniably good, yet didn’t measure up to other writers.

During the discussion, someone mentioned a Guardian article based on a lecture by Zadie Smith on the fiction of E.M. Forster. The article compares Forster’s work to Austen’s.

Forster ushered in a new era for the English comic novel, one that includes the necessary recognition that the great majority of us are not like an Austen protagonist, would rather not understand ourselves, because it is easier and less dangerous.

Zadie Smith, in pointing out this message in Forster’s work, is saying in part that what Forster was doing was different from what others were doing, and that he was good at it. I agree.

See below for my opinion on whether A Room with a View is a love story, coming-of-age story, or social commentary and what I got out of it. (If you’ve never read the book or watched the movie, note that this post gives away the ending.)

Continue reading A Room with a View by E.M. Forster

Bras Basah Complex: Art, Dance, Explore, Sports, Book

If you are looking to buy books in Singapore, this is a good place to go. It has several book shops selling new or used books. It also has print shops, art supply shops, stationery shops, and shops selling musical instruments and antiques.

Within the last couple of years, these colorful square signs were added to convey the complex’s status as a cultural hub of sorts.

Bras Basah Complex
* Art * Dance * Explore * Sport * Book

One of my pet peeves is lists of things that aren’t all the same part of speech. “Art, Dance, Explore, Sports, Book” is a fantastic example. See below for why.

Continue reading Bras Basah Complex: Art, Dance, Explore, Sports, Book

The Fugitive by Pramoedya Ananta Toer

I enjoyed this short, out-of-print book more than I necessarily expected to. It got off to a slow start, especially for such a short novel, but it gave me lots of food for thought.

The Fugitive was written by a highly regarded Indonesian nationalist. In writing about the book, I learned that the author’s name, though in three parts, is not a first, middle, and last name with the family name last. It’s just a name. He is referred to as “Pramoedya” (which is also spelled “Pramudya”) or just “Pram”.

Read more about the book in my Backlist books post about The Fugitive at Asian Books Blog.

When and Why I Read The Fugitive

I am reading this Indonesian novel for my Backlist books column at Asian Books Blog.

Genre: Fiction (historical)
Date started / date finished: 17-Apr-2018 / 23-Apr-2018
Length: 171
ISBN: 0688086985
Originally published in: 1950/1990
Amazon link: The Fugitive

The Movie Book

Reading The Movie Book, I got the strong impression that, regardless of its genre, every movie I like is basically the same movie: an uplifting story with a conventional structure, an admirable main character, and an upbeat conclusion. This book, in contrast, expresses appreciation of many kinds of movie, seemingly few of them cheerful.

Still, some of my personal favorites are considered great cinema; I am a fan of the quite historic Wizard of Oz, for example. In contrast, although intellectually I understand that Blade Runner is a classic, I found it largely unpleasant to watch. Oldboy was much worse. Those are two hours of my life I really wish I could get back.

Lesson learnt. Watching “good” movies—or even “important” movies—as if movies can be measured on a universal scale is not a recipe for enjoyment. Taste is personal.

Here’s an interactive list of the 116 movies featured in the book. (It doesn’t list the 88 honorable mentions described briefly at the back of the book, but this post does.) Among them are some movies I have not seen that I would like to see—some that I think I would actually enjoy (e.g., Singin’ in the Rain) and others that are not my cup of tea but would be interesting and give me a stronger grounding in the history of film (e.g., King Kong).

When and Why I Read The Movie Book

I like books. I like movies. I like checklists. Surely I will enjoy a book that consists of a checklist of movies.

Genre: non-fiction (reference; film)
Date started / date finished: 02-Apr-2018 / 17-Apr-2018
Length: 343 pages
ISBN: 9780241188026
Originally published in: 2015
Amazon link: The Movie Book

Junior Page book sale at Novena Square atrium

I just recently bought ten books at an atrium sale, but that didn’t stop me from browsing the Junior Page atrium sale and buying these six.

  • The King Arthur Trilogy by Rosemary Sutcliff
  • How We Learn by Benedict Carey
  • Screenwise by Devorah Heitner
  • Head in the Cloud by William Poundstone
  • Born Reading by Jason Boog
  • Peak by Anders Ericsson and Robert Pool

The cashier asked me how long it was going to take me to read them, as if either I had a superpower or was biting off more than I could chew. I think most of the people shopping the sale were only buying one, two, or three books at a time. Tough to make back the rental fees at that rate, I would think.

And yet in Square 2, the shopping mall next door, there was ANOTHER atrium book sale running at the same time.

Luckily “Success Shop” didn’t have any books I wanted to buy. (I’d have bought them.)

Not out of Hate by Ma Ma Lay (thoughts on postcolonial literature)

I posted some background information and opinions on Not Out of Hate in a post about the book on Asian Books Blog.

This post explains why I chose this Burmese novel to feature in my Backlist books column, even though I didn’t start out with the intent to study Southeast Asian postcolonial literature.

Continue reading Not out of Hate by Ma Ma Lay (thoughts on postcolonial literature)

Times book sale at the Centrepoint atrium

It’s a trap!

I do not need more books, but I love looking through the random collection of not-quite-current titles whenever I see an atrium sale. The serendipity of it is what appeals. I can’t not buy discounted books on topics I find interesting!

I bought:

  • How to Train Your Dragon by Cressida Cowell
  • The Eighty-Minute MBA by Richard Reeves and John Knell
  • Simplicity by Edward de Bono
  • Neurotribes by Steve Silberman
  • A Field Guide to Lies and Statistics by Daniel Levitin
  • Happiness by Design by Paul Dolan
  • Malaysa Singapore: Fifty Years of Contentions 1965 – 2015 by Kadir Mohamad
  • Passage of Time: Singapore Bookstore Stories 1881 – 2016 by Chou Sing Chu Foundation
  • 101 Books to Read Before You Grow Up by Bianca Schulze
  • The Movie Book by DK

A Wrinkle in Time by Madeleine L’Engle

I re-read this familiar classic in preparation for seeing the 2018 movie adaptation.

When and Why I Read A Wrinkle in Time

My site keeps getting 404 hits for an image of this book that I uploaded years ago. It’s because of the movie, I’m sure.

Genre: Fiction (children’s fantasy)
Date started / date finished: 12-Mar-2018 / 15-Mar-2018
Length: 198
ISBN: 0440998050
Originally published in: 1962
Amazon link: A Wrinkle in Time

Beloved by Toni Morrison

Beloved is a masterful, discomfiting tale of slavery. I didn’t like it.

It’s literary. The writing and careful arrangement of plot elements makes the reader work hard (and keep turning pages) to piece together the sequence of events. The non-linear storytelling and ambiguously psychotic or supernatural elements may strike some as pretentious, but the novel has a powerful message effectively conveyed with consummate skill.

It’s tragic. You may think the book has a hopeful ending; interpretations vary. The ending didn’t seem hopeful to me. Regardless, the pain the characters suffered is—well—painful to contemplate. Thus, reading this story was for me more of a duty than a relaxing way to pass the time.

I didn’t like it, but I’m glad I read it. Institutionalized slavery of Africans in America is over, but it left a lasting legacy. I can trace my ancestry back to one of the founding fathers of the country, but some Americans can’t trace their ancestry at all. Their desire to connect with a past free of pain and punishment—even a fictional one—accounts for the success of the Roots the book and Roots the television series, and has contributed substantially to the success of Marvel’s Black Panther.

Toni Morrison explains the need for and the difficulty in writing such a book:

The terrain, slavery, was formidable and pathless. To invite readers (and myself) into the repellant landscape (hidden, but not completely; deliberately buried, but not forgotten) was to pitch a tent in a cemetery inhabited by highly vocal ghosts.

The idea for the book came from a newspaper headline.

A newspaper clipping in The Black Book summarized the story of Margaret Garner, a young mother who, having escaped slavery, was arrested for killing one of her children (and trying to kill the others) rather than let them be returned to the owner’s plantation.

All the other details were Morrison’s own invention.

More on what I liked and didn’t like about Beloved below. Beware spoilers.

No, seriously, beware spoilers. I think the book is really better if you read it from start to finish without knowing where it’s going and where the characters have been.

Continue reading Beloved by Toni Morrison