The Story of the Stone aka The Dream of the Red Chamber by Cao Xueqin and Gao E

I love books. I love languages. I built welovetranslations.com. 

You can read more about translations of The Story of the Stone aka The Dream of the Red Chamber on that site!

Rachel of the Hungry Hundred Book Club selected this mammoth Chinese classic for discussion at the end of January 2018. I bought the five-volume Penguin paperback edition and the 64-page illustrated version published by Real Reads. Below are the results of my research into the different available English translations.

See also: Buying books in Singapore

Continue reading The Story of the Stone aka The Dream of the Red Chamber by Cao Xueqin and Gao E

Buying books in Singapore

THIS POST IS OUTDATED! VISIT THE NEWER POST ABOUT BUYING BOOKS IN SINGAPORE!

Brick-and-mortar bookshops in Singapore (as elsewhere) face high rent and stiff competition from online sellers, so they’ve been dropping like flies. The major chains and a handful independents are still scraping by.

See below for lists of:

  • Book Shops at Bras Basah Complex
  • Other Indie Book Shops in Singapore
  • Local Sources for Children’s Books
  • Local Retail Book Chains
  • Local University Book Shops
  • Local Online Booksellers
  • International Online Booksellers
  • Special Book Sales
  • Person to Person Websites

Last updated 7 Feb 2021.

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We Love Toa Payoh by Urban Sketchers Singapore

Urban Sketchers Singapore has produced books of sketches of:

Our Neighbourhoods

Thus far, Urban Sketchers Singapore and Epigram Books have produced books of sketches of:

  1. Toa Payoh (November 2012)
  2. Tiong Bahru (February 2013)
  3. Bedok (April 2013)
  4. Queenstown (September 2013)
  5. Katong (April 2014)
  6. Little India (Sept 2014)
  7. Chinatown (May 2015)
  8. Geylang Serai (January 2016)
  9. Serangoon Gardens (January 2017)

Toa Payoh, Tiong Bahru, and Katong are sold out at the publisher.

I should really get the Chinatown one of these. Used to live there.

When and Why I Read We Love Toa Payoh

This is an attractive locally-produced book (featuring a Singapore neighborhood I’m not personally familiar with).

Genre: non-fiction (art)
Date started / date finished:  25-Mar-17 to 25-Mar-17
Length: 96 pages
ISBN: 9789810736231 (paperback)
Originally published in: 2012
Kinokuniya link: We Love Toa Payoh

Dreaming in Chinese by Deborah Fallows

Since I’ve read other books about Chinese language and culture, since I’ve studied Mandarin Chinese, and since I live in a partly Chinese-speaking environment, many of the sparkling, shining, fascinating bits of trivia embedded in Dreaming In Chinese were no surprise to me. But even I learned a thing or two.

The author’s words paint a picture of a difficult but rewarding sojourn. The writing is clear and concise, warm and insightful. This is a short, entertaining, accessible book on an interesting topic.

When and Why I Read Dreaming in Chinese

This expat’s view of Chinese language and culture sounded like it would be interesting.

Genre: non-fiction (travel, language, China)
Date started / date finished:  20-Mar-17 to 25-Mar-17
Length: 212 pages
ISBN: 9780802779144 (paperback)
Originally published in: 2010
Amazon link: Dreaming In Chinese

The Catcher in the Rye by J.D. Salinger

The Catcher in the Rye was not a book I enjoyed. In general, I don’t like spineless characters, and I don’t like unreliable narrators, and Holden Caufield is both!

If your idea of great fiction is a story that successfully produces a powerful emotional reaction, then okay, I agree that Salinger’s book is great. It made me feel absolutely awful. After reading it, I felt I needed to go look at pictures of kittens or something to wash it out of my head. Blech.

More details about the book with SPOILERS below.

Continue reading The Catcher in the Rye by J.D. Salinger

Writing the Breakout Novel by Donald Maass

Writing the Breakout Novel is a book by an experienced agent about how to write fiction that is not just good but great.

Maass offers valuable advice on how a newbie can avoid amateur mistakes and how a published author stuck in a rut can get out of it.

Broad topics include: premise, stakes, setting, characters, plot, subplots, point of view, theme, and industry shop talk.

Do you want to be published? Drop what you’re doing and read this book. Do you want to start getting fat royalty checks again? Sit up and pay attention. Whatever situation you’re in, it’s time to seize the day. It’s time to break out.

If you’re interested in this book, I also highly recommend Save the Cat by Blake Snyder.

When and Why I Read Writing the Breakout Novel

Go big or go home!

I also read this book 26-Mar-14 to 28 Mar-14. Worth reading twice, or as many times as necessary.

Genre: non-fiction (writing)
Date started / date finished:  13-Mar-17 to 19-Mar-17
Length: 260 pages
ISBN: 9781582971827 (paperback)
Originally published in: 2001
Amazon link: Writing the Breakout Novel

The Weekend Novelist Rewrites the Novel by Robert J. Ray

I’d say The Weekend Novelist Rewrites the Novel is useful whether you’ve got a completed manuscript or not.

There are suggested methods for rewriting a whole manuscript by targeting certain parts of it on specific weekends, and suggested methods for writing vivid word pictures: use sensory descriptions, strong verbs, and concrete nouns—especially repeated objects that can become symbols.

But there are larger lessons, too.

The book talks about the primal conflicts that make stories compelling. Using examples from successful fiction and film, it explains story structure by breaking down subplots by character and showing how major scenes happen when secrets explode from the subplot and collide with the plot.

I still like Save the Cat better.

When and Why I Read The Weekend Novelist Rewrites the Novel

I read this before. I remember it had useful things to say about subplots.

Genre: non-fiction (writing)
Date started / date finished:  07-Mar-17 to 13-Mar-17
Length: 266 pages
ISBN: 9780823084432 (paperback)
Originally published in: 2007
Amazon link: The Weekend Novelist Rewrites the Novel

Saint Anything by Sarah Dessen

Phew. Okay. Saint Anything was way less heartwrenchingly dire than Dreamland!

I loved the ongoing debate about what the band should be called; reminds me of the Zits comic in which Jeremy’s mom offers the band some goat cheese pizza during practice, and “goat cheese pizza” thus becomes the name of the band.

I’m always impressed by Dessen’s fake world. At least some of the time she reuses the same town and high schools, which makes the places feel familiar and real even if they’re not. Her world also has its own shops, restaurants, brand names and pop stars. The culture her teen characters inhabit is specific and authentic without being real. It isn’t tied to a specific place and time.

I have noticed technology creep in over the years, though, which might give readers a way to place the setting in time. For example, the characters didn’t have smartphones in earlier books… but nobody had smartphones in 1996 when Dessen published That Summer! The characters; computers and phones aren’t an important part of the novels, but teens reading the earlier ones might scratch their heads wondering why tech isn’t as important in the characters’ lives as it is in their own.

When and Why I Read Saint Anything

I’ve read all Sarah Dessen’s books so far.

Genre: fiction (YA)
Date started / date finished:  04-Mar-17 to 06-Mar-17
Length: 417 pages
ISBN: 9780147516039 (paperback)
Originally published in: 2015
Amazon link: Saint Anything

Save the Cat by Blake Snyder

I love Blake Snyder’s Save the Cat.

I’ve been using Snyder’s fifteen-item beat sheet to analyze movies. The beat sheet has helped me remember movies after I’ve watched them, and has also helped me appreciate their twists and turns as they happen. Ultimately, I hope internalizing the beat sheet will help me as a writer.

A 2013 Slate article blamed Snyder for a slew of bad movies, claiming that ever since he published his ‘formula’, movie-makers have slavishly followed it, to the detriment of art. It’s hard to disagree, until you read the rebuttal, which is that bad movies exist because making good movies is hard. Okay, yeah, fair enough.

Storytelling is an old art, and stories already had a three-act structure back when Aristotle was around, because he wrote about it. Nobody blames Joseph Campbell, with his famous Jungian Hero with a Thousand Faces, for ruining storytelling by outlining the meta-myth from which all myths spring. No more should we blame Snyder for understanding how best to bend myths into movies.

I read the Campbell book in 2014; didn’t much care for it. I’ve considered reading Christopher Vogler’s book The Writer’s Journey, but I suspect it’s more on Campbell’s end of the spectrum than Synder’s. Somewhere sitting happily in the middle is Robert J. Bly’s book The Weekend Novelist Rewrites the Novel, which leverages many mythological archetypes and terms from Greek rhetoric but explains and exemplifies them usefully, often giving tips for writing novels lifted from—you guessed it—the discipline of screenwriting. I’m tempted to read something by Syd Field or Robert McKee, but then, at least at this point, I’m not actually interested in screenwriting per se.

Save the Cat isn’t all about the much-maligned beat sheet; if it were, the book would be called Blake Snyder’s Beat Sheet instead. What else is in the book?

  • how to write and test a good logline (one sentence movie concept)
  • Blake’s list of 10 unconventional movie “genres”
  • how to choose a hero
  • how to arrange your scenes on “the board” (use four rows; one row of about 10 scenes for Act I, two for Act II, one for Act III)
  • how to leverage a handful of quirkily named commonsense rules of screenplay writing (including Save the Cat)
  • how to troubleshoot a weak screenplay
  • what to do after you finish writing a screenplay
  • a glossary of terms (industry terms and Snyderisms)

Right, so, what does “Save the Cat” mean anyway? It just means that your protagonist should do or experience something very early on to win the audience’s support.

When and Why I Read Save the Cat

I have read this book before. It has been great at helping me think about plot. In fact, I have the Blake Snyder Beat Sheet on the wall by my computer. I read the book again to get a firmer grip on the details. There is so much more good advice than I remembered. How does it all fit in such a short book with so much whitespace? I don’t know how he did it.

Genre: non-fiction (movies, writing)
Date started / date finished:  26-Feb-17 to 04-March-17
Length: 195 pages
ISBN: 9781932907001 (paperback)
Originally published in: 2005
Amazon link: Save the Cat

Style by Joseph M. Williams

I never thought I would read the word “turgid” so many times in my entire life. Style: Toward Clarity and Grace repeats the word, of course, because it’s telling you how to avoid writing “turgid prose”.

There’s a lucid chapter on the subject of usage, which deftly cuts through all the normal chatter about what should be a rule and why or why not, but most of the book is not about controversial words and grammatical constructions. It’s about what makes a passage understandable, and it describes the process of transforming one that’s not into one that is. It’s describing the acquisition and communication of concepts and knowledge as much as anything. It’s almost a book of cognitive psychology. I have a lot of books on language and writing, but I don’t think I’ve ever read anything like this before.

Maybe that’s because it was originally a textbook. It feels a bit strange to watch someone poke sentences and move bits of them around on the page; the skills being described can only really be improved through use. This version of the book is informative, but perhaps not as effective as the versions that give the reader practice writing and revising.

More on what I liked about the book and when and why I read it below.

Continue reading Style by Joseph M. Williams