Since there were a lot of ways the sequel to the bizarre, Asianesque sci-fi noir classic Blade Runner could have been awful, I was expecting Blade Runner 2049 to be handled about as well as Indiana Jones and the Kingdom of the Crystal Skull or Ghost in the Shell, both of which failed to delight their devoted target audiences. I was pleasantly surprised.
2049 has some disturbing violent moments, and the whole finale is one of those water scenes I really dislike, but I enjoyed it more than the original, I think because it generally made more sense, or because of some beautiful, colorful architectural shots, or perhaps simply because it was new and therefore I did not feel obliged to like it simply because, for two or three decades, other people already had.
There’s a lot of chatter about this movie’s ties to the original, and about philosophical questions relating to memory and the soul, but for me the movie is about the journey from blissful ignorance through mistake or self-deception to self-knowledge and finally acceptance. Ignorance is never bliss, and you always have a choice.
See below for a plot summary with SPOILERS in the form of a beat sheet in the style described in Blake Snyder’s Save the Cat.