Six Frames by Edward de Bono

Reading Six Frames feels like reading a set of notecards. There’s a bit of text on each page, and the bits of text are arranged into chapters of related observations, but overall the content is choppy and sparse (see photos below). Since there are few pages and not much text per page, the book feels more like an essay than a book.

More below on what it’s about and photos of how sparse the text is, as well as when and why I read it.

Continue reading Six Frames by Edward de Bono

Born Liars by Ian Leslie

Some books about lying and deception say “lying is generally bad and sometimes very bad, so lie as little as possible,” and I find myself agreeing. Others, like Born Liars, say “lying is ubiquitous, natural, and inevitable, so there’s no need to feel either guilty about your lies or surprised when others lie,” and once again I find myself agreeing.

Surely I’m not just a fickle pushover? Let’s just say I’m approaching the topic of lying via the Hegelian dialectical method: thesis, antithesis, synthesis. Some lies are harmful and should be avoided, while other lies should be considered normal or even healthy, and it’s important to know what strategy to use in various contexts. Ta-da!

For many facts and ideas that stood out as well as information on when and why I read the book, see below.

Continue reading Born Liars by Ian Leslie

Titan A.E. (2000)

Weird music, beautiful drawn—and early CGI—visuals, and one of very, very few sci-fi movies in which the artificial gravity malfunctions and everything starts to float: Titan A.E. in a nutshell.

In movie history, it was the film whose financial failure destroyed Fox Animation Studios, the company responsible for the widely respected film Anastasia, its direct-to-TV sequel, and absolutely nothing else. (Fox’s BlueSky studio—responsible for the Ice Age franchise, among other things—is having better luck.)

Steve Perry and Dal Perry’s novelization of Titan A.E., which I read in 2007, added a lot to the characterization of the aliens by giving us the queen’s perspective.

I love not only the gravity malfunction, but also the hip 90s feel, the shiny bits of Wheedonesque dialog, the alien language and spacecraft, the hydrogen plants, the wake angels, the tense hide-and-seek sequence among the reflections in the ice crystals, and the (admittedly rather too instantaneous) transformation at the conclusion. I even like the prologue and yes, the “scrappy/grand” humans-are-underdogs plot.

https://itunes.apple.com/us/movie/titan-a.e./id270551266

Emma (Paltrow 1996)

Having just read Jane Austen’s Emma, I thought this movie version of Emma with Gwyneth Paltrow felt shallow and rushed. It’s conventional to say, especially with classics, that the book is better than the movie, but let’s go beyond that and attempt to say why.

One reason is that the movie must show where the narration can tell, and in this case, telling is better than showing, because Austen’s conveyance of characters’ feelings and attitudes is masterful. Her storytelling will be remembered when the names on the avenue of stars cease to evoke even the faintest flickers of recognition.

Another reason is that since in the novel there is a lot of narration, and the “action” consists primarily of people having conversations, the moviemakers invented “plausible” activities for the characters so that the actors have something to do in each scene apart from talk. The activities came across as contrived, though. I’d rather have been a bit bored by the characters’ social lives than feel distracted because the characters were acting like puppets on strings pulled this way and that by the needs of modern Hollywood.

The scene in which Emma and Mr. Knightley practice archery was particularly unsubtle, since it showed that her conclusions were, shall we say, totally off the mark, while his were, you guessed it, right on target. If you’re not already groaning from the overbearingness of the metaphor, consider that Emma’s mistakes are matchmaking errors; she’s trying to play cupid (as the text on DVD cover informs us, lest we fail to notice this entire bit of cleverness).

A third reason this version of Emma was slightly disappointing was that it pales in comparison to the just as short but more authentic A&E version of Emma starring Kate Bekinsale (also released in 1996). I remember the raw emotion of the scene at Box Hill vividly, though I watched it almost two years ago.

I must have remembered how the actors in the Beckinsale version looked and behaved, because the characters all seemed off in the Paltrow version. I don’t think it was just that I saw the Beckinsale version first. Can anyone believe a beauty like Gywneth Paltrow could be vulnerable, let alone mistaken? She’s the embodiment of smug confidence. Bekinsale portrays Emma’s characteristic overconfidence without the uncharacteristic hotshot attitude shown in the photo that adorns the cover of the Paltrow DVD.

https://itunes.apple.com/us/movie/emma/id514463001

I had a similar issue with Keira Knightley as Elizabeth Bennet in the 2005 Hollywood version of Pride and Prejudice. She’s just too spunky and exaggerated for the character to be historically believable. As in 2005, Hollywood tried to up the entertainment value, and that spoils it for me.

Give me history or give me death.

Or rather, if you’re going to modernize Emma, go all the way.

No One Understands You and What to Do about It by Heidi Grant Halvorson

The book No One Understands You and What to Do about It should be called Why No One Understands You and What to Do about It. The title sounds off balance because the first half is a clause and the second half is a noun phrase. Or perhaps the title should be something that doesn’t sound as self-obsessed or self-pitying, because the book is not so much a self-help book as it is a collection of fascinating psychological insights presented in a way that is both entertaining and informative.

When and Why I Read No One Understands You and What to Do about It

Reading First, Break All the Rules might make you think that people are so unique that we’re all somehow fundamentally unknowable. But apparently there are ways to mitigate this feeling of isolation.

Genre: non-fiction (management, psychology, self-improvement)
Date started / date finished:  18-Dec-16 to 20-Dec-16
Length: 191 pages
ISBN: 9781625274120 (paperback)
Originally published in: 2015
Amazon link: No One Understands You and What to Do about It

Rogue One (2016)

Prequels have the problem that you already know where they’re going to end. Rogue One had a couple of other problems, too: political correctness, rushed world-building, and lazy characterization. What it had going for it was nostalgia, humor, and a big CGI budget. Overall, I’d say it was okay but not great.

https://itunes.apple.com/us/movie/rogue-one-a-star-wars-story/id1179624268

More details, with SPOILERS, below.

Continue reading Rogue One (2016)

Shang Antique: Established Since 1984

Although Shang Antique only moved into this unit at the front of Tanglin Shopping Centre sometime within the last year or so, I am willing to believe that the business has existed from 1984 until now. However, they should use “Established” or “Since” and not both!

More below on why the sign is wrong.

Continue reading Shang Antique: Established Since 1984

Dreamland by Sarah Dessen

Dreamland paints a gripping, believable picture of someone whose choices trap her (and the reader) in a world of hurt. This protagonist doesn’t save herself; she can’t.

When and Why I Read Dreamland

At some point I read or someone told me that Sarah Dessen was an especially articulate writer of contemporary teen fiction, so I started reading her books. Also, I liked the collage covers of the earlier editions. Dreamland is darker than the others.

Genre: fiction (YA)
Date started / date finished:  15-Dec-16 to 16-Dec-16
Length: 250 pages
ISBN: 9780142401750 (paperback)
Originally published in: 2000
Amazon link: Dreamland