Tag: car racing films

Herbie befriends a thieving street urchin in Mexico and gets his new owners in trouble when he smuggles the boy aboard a cruise ship and breaks loose in the cargo hold. Some treasure hunters searching for hidden Inca gold must recover stolen film that the boy accidentally transferred from one stolen wallet to another.

I like the car’s tricks, and his friendship with the orphan is suitably heartwarming, but the other characters and plot are nothing special. Moreover, poor Herbie keeps getting more and more decrepit-looking throughout the movie. They patch him up at the end, but we never get to see him race!

https://itunes.apple.com/us/movie/herbie-goes-bananas/id363434777

Nearly ruining his driver’s chance to qualify for the Trans-France Race, Herbie falls in love with another race car in Paris, one driven by a woman who resents discrimination against female racers. Meanwhile, Herbie is being chased by two bumbling diamond thieves, who have hidden a fist-sized gem in Herbie’s gas tank.

There’s a fight scene in the Alps that reminds me of the one in Speed Racer, though this one involves fewer people than that one; the diamond thieves have brought a helicopter to intercept Herbie and they hold the driver and his mechanic at gunpoint to try to get the diamond back. Meanwhile, the clock is ticking…

https://itunes.apple.com/us/movie/herbie-goes-to-monte-carlo/id354105566

In this sequel to The Love Bug, the characters are totally different, except the car himself. The settings overlap, though: Herbie’s owner, a delightful little old lady played by Helen Hays (who I recognize from the Disney movie Candleshoe), still lives in the same house in San Francisco.

The plot revolves around whether the house (what the Chinese call a “nail house”) will be torn down so that an insensitive rich guy named Mr. Hawk can build a huge, H-shaped skyscraper on the site. Everything nearby has already been demolished. In Hollywood, the underdog wins and the wealthy antagonist loses; private property rights are upheld. (In China, sadly, that’s not always how the story goes, though supposedly things are improving.)

In part because the connection to racing is lost, in part because the real-estate developer is so explicitly Machiavellian, and in part because the lead male is pretty dopey, I liked this movie less than the original. That’s normal for sequels, though, and it was still cute.

https://itunes.apple.com/us/movie/herbie-rides-again/id354107745

When I was little, I loved movies where stuff moved by itself. I loved animate inanimate objects like Herbie the VW Beetle, talking animals like the cat in The Cat from Outer Space, and people who could do telekinesis, like the siblings in Escape to Witch Mountain. These days I enjoy racing car movies, like the Fast and Furious series, Speed Racer, and even Death Race, despite how bloody it is. The Love Bug is a family comedy that features a racing car that moves by itself. What’s not to love?

I watched it with the audio commentary on this time, so rather than hearing the film’s dialog, I was hearing comments from the three main actors years after the filming.

One thing the commentators pointed out was the matte backgrounds. I tend to think of fake sets as being CGI and very artificial, but movies have been artificial a lot longer than computers have been around. The methods we use to trick the eyes have changed, but the effect is the same. A backdrop created with pixels isn’t necessarily more beautiful or realistic than a backdrop created with paint. The actor who was describing scenes set in foggy San Francisco couldn’t remember, and couldn’t reliably discern, which scenes were filmed on location and which locations had been painted in.

The movie is more impressive if you think about how many of the simple-looking special effects had to be done in real life with physical tools and props, such as the scene on the DVD cover where the car is bouncing across the surface of a pond. They had a plastic car on wires attached to poles on either side of the pond, and they bounced the car on the water. It’s much simpler, and much more complicated, than it looks!

Memorable moments in the movie: Herbie getting drunk on Irish coffee with whipped cream, which I don’t think I understood very well when I was a kid; a phone in a car, which must have been devilishly expensive at the time; diverted race cars zooming through a  mine, and then Herbie getting in an elevator sideways to exit the mine at the top of a hill.

https://itunes.apple.com/us/movie/the-love-bug/id281495547

Can the movie industry please stop putting all the jokes and surprises into the previews? I would have enjoyed F8 much more if I hadn’t seen so much of it already.

It was still a surprise to me, however, when the villain got away, because that sets up another whole movie, and I was expecting this to be the last one, on account of the rather final-sounding name. I’ve now realized they chose the name because this movie is the eighth, and “F8” sounds like “fate” in leetspeak or SMS shorthand or whatever. (Letters? Where we’re going, we don’t need letters!)

In the first act, the villain (a female super-hacker, yay) tries to make it sound like Dom isn’t really loyal to his team, he’s loyal to his sense of adventure, but that interesting ambiguity doesn’t last long. By the time we reach the climax, the villain is a boring cardboard cut-out who just  stands there desperately gnashing her teeth, ranting at underlings on a comm system, and jabbing buttons on a control panel. I felt sorry for her.

Still, the set pieces and humor were wonderful, and although the movie’s reveal during the resolution was pretty far-fetched, I still found it satisfying. The movie lacks plausibility and emotional depth, but it has lots of antics involving bald dudes and cars. Box office receipts indicate that this suffices.

https://itunes.apple.com/us/movie/the-fate-of-the-furious/id1220995579