These posts are mostly books and movies from or about China.
My boyfriend Siqi and I took his parents to Xi Hu (Hangzhou’s famous West Lake) to see the scenery. We walked around and also took a boat ride across. We saw the famous “three pools mirroring the moon”. Kinda.
I like mountains better than lakes, but the sky over the lake was gorgeous when the sun started going down! I’ve selected the best few photos out of the many many many I took.
When I lived in Singapore, I mostly walked and took trains and buses (sometimes taxis). Now I’m in a bigger city, one that has a big river cutting through the middle of it, and (at least for now) I’m traveling by car from one half to the other for work. That means I’m crossing lots of bridges. Since I’m not driving, I can take photos!
They look different depending on the time of day and weather. For example, the butterfly-shaped Jiubao Bridge (which China Daily claims is the ‘most beautiful’ bridge in the city), is white in the daytime but changes to a shifting rainbow at night. I’ve got gifs to prove it!
On January 3, 2023, I started work at Zhejiang Lab at the editorial office of Intelligent Computing: A Science Partner Journal.
My role, as a native speaker of English with a background in Computer Science and experience in academic publishing, is to help strengthen the reputation of the journal.
Zhejiang Lab (之江实验室) is a research institute established jointly by the Zhejiang Provincial Government, Zhejiang University, and Alibaba Group in September, 2017. (The name of the province is 浙江. That is, it uses a different ‘Zhe’ but the same ‘jiang’; the name of the lab is sometimes spelled ‘Zhijiang’.)
Intelligent Computing, launched in 2022, is an English-language Open Access Science Partner Journal published in affiliation with Zhejiang Lab and distributed by the American Association for the Advancement of Science (AAAS).
Want to know what my workplace is like? See below for some maps and photos of the lab campus.
Continue reading Editorial Office of Intelligent Computing at Zhejiang Lab
I joined Zhejiang Lab just before Chinese New Year. I went with my department to Xixi National Wetland Park to drink tea (outside in the cold!) to celebrate.
The park is a huge green historical area with canals, ponds, old buildings, cobblestone pathways, and stone bridges. Its name means “west creek”. It has museums and shops and restaurants. We didn’t do a lot of exploring, but we bought some persimmons and nian gao (sticky starchy “year cake”) on our way to have tea and snacks, and we visited a longquan porcelain shop and climbed up a pagoda on our way back.
There are English quotes and signs throughout this shop in a mall in Hangzhou, but I’m not sure I saw any books in English. I saw bilingual editions of the Harry Potter books, and LOTS of recognizable books translated from English and other European languages. I enjoyed looking around and soaking up the quiet atmosphere of words in ink on paper.
西西弗书店 (Xīxī fú shūdiàn)
Founded in 1993, this chain of over 360 shops in 80 cities across China is named after Sisyphus in the Greek myth. The website explains:
What Sisyphus is engaged in is a continuous movement, without purpose, without success or failure, good or evil. This action seems to be ineffective, but it contains awesome power. In the sense of stoicism, and with a touch of sacrifice, we hope to be the Sisyphus of the book and culture industry.
I suppose that’s inspiring. Selling physical books in physical shops in the 21st century does seem like a thankless task, though Barnes & Noble seems to have come back from the brink.
On New Year’s Eve, my boyfriend Siqi drove us up one of the tea mountains just outside of Hangzhou. We visited a lookout tower, marveled at patches of melting snow, and watched a magical sunset.
Having relocated from Singapore where it never gets cold, I have mixed feelings about winter, but I love living in a place surrounded by beautiful mountains!
See below for the best of the photos I took with my smartphone.
On December 12, 2022, I got on a plane (for the first time since January 2020) to fly from Singapore to Hangzhou, China, where I will be working at Zhejiang Lab.
I quarantined comfortably for 5 full days in central Hangzhou at the Merchant Marco Hotel. See below for photos of the hotel and the 17 meals I ate while I was there.
How often does one read a book whose genre is roughly equal parts philosophy, biology, Chinese history and literature? Not very.
Caveat lector. This book is not an ordinary monograph in Chinese intellectual history. It is not just about China. It is not just about Lu Xun. It is certainly not an introduction to Lu Xun, or to his works. It is not an intellectual biography. It is not “an appreciation.” It is not a study of Lu Xun’s genius or his art (although both will shine through). It is a philosophical critique of Lu Xun’s thought and a philosophical and political critique of what Chinese in the People’s Republic have done, and may yet do, with Lu Xun’s thought, and it is a reflection on philosophy and biology.
Some non-fiction books barely scratch the surface of a whole discipline, explaining the same terms and repeating the same well-trodden foundational anecdotes. It’s refreshing, once in a while, to read something truly niche.
Also refreshing is the author’s use of language play. For a serious book, it sure has a lot of jokes. Frequently, the same word is used in two senses in the same sentence. It’s self-indulgent and self-referential, but I find it charming. Any stupid old book could be distant, detached, and dry; this one feels like it was written by a real live human being who really, really likes to write, and who cares deeply about the topic at hand.
The topic at hand is an analysis of Lu Xun’s understanding of the implications of evolutionary theory for his country. Do ideas about evolution suggest that the Chinese have an inevitable destiny, good or bad? Do those ideas suggest that they are the makers of their own destiny, and should strive to evolve, individually or as a whole country? What ideas about evolution did people have in Lu Xun’s time, and which did he encounter, and how did he interpret them and incorporate them into his work throughout his writing career? How have his writings since been used, reused, and reinterpreted?
See below for scattered notes on the content and style of this treatise.
When I bought The Good Earth from the Amazon Kindle store, I had to choose between buying it by itself for $7.50 or buying the whole trilogy for $15.39. I’m glad I only bought the first one. One was enough.
The style of writing is simple in a kind of old-fashioned, grand, Biblical way that grated on me long before I reached the end. Long compound sentences rolled along relentlessly, one after another, connecting each thought or action with the previous one. Never have I read a book that contained so many “and”s. Moreover, those “and”s didn’t seem to be building towards anything in a meaningful way. The novel had a straightforward timeline and virtually zero tension, zero plot.
See my Backlist books post on The Good Earth on Asian Books Blog for more thoughts on this Pulitzer Prize–winning historical novel set in 1920s China.
This book was chosen by Rachel of the Hungry Hundred Book Club for June 2018.
Genre: fiction (historical)
Date started / date finished: 23-May-2018 / 27-May-2018
Length: 225
ISBN: ASIN B008F4NRA8
Originally published in: 1931
Amazon link: The Good Earth
When I watched this on television at a friend’s house, I’d heard of the movie and wanted to see it (my dislike of the famous-Hollywood-star-in-Asia movie The Last Samurai notwithstanding), but had no idea there were lizard things in it. I suppose I assumed it was a historical story, or maybe a fantastical historical story with magicky people in it, like The White-Haired Witch of Lunar Kingdom (2014). I have just learned that the name for that genre is “wuxia”.
No, this was a monster movie. It was a good one! Like Pacific Rim (2013). Again, I sort of expected the monsters to be misunderstood, but no. They’re just monsters. The point is to kill them, not understand them. There are some vague bits of theme wafting around—trust, loyalty, discipline, and teamwork are good, while greed is bad—but really, the point is to stop the lizard monsters from taking over the world.
I enjoyed the Mandarin-heavy dialog because hey! I understood some of it! Every big-budget Hollywood movie with part of the plot set in China (e.g., Now You See Me 2), every Chinese movie with crossover Western appeal (e.g., Bleeding Steel), and every studio cooperation using big names from both the West and China, like this one, brings us closer to a fused future culture like the one in Firefly, even if some of the products of that cooperation, like this one, are not exactly greeted with resounding applause.
https://itunes.apple.com/us/movie/the-great-wall/id1201087642
