There’s a huge difference in style (as well as size) between the Guy Delisle book about Shenzhen and the Guy Delisle book about Jerusalem. In the Shenzhen book, the drawings are darker and fuzzier like pencil or charcoal sketches, whereas the drawings in the Jerusalem book are very clean, with splashes of color added.
I think part of the reason is the separation in time between the books. The Shenzhen book was published in 2006 about a trip in 1997, and the Jerusalem book was published in 2012 about a trip in 2008.
In terms of content, I think I enjoyed the Shenzhen book more. China feels frustrating and foreign… but you’d expect it to. Jerusalem feels if anything more frustrating, since in theory it’s less foreign. The ongoing conflicts there involve the political ideologies and religions of the West. In reading this book, I realized I know very little about those conflicts…
As always, I admire the artist’s nonchalance in the face of daunting situations, and his ability and willingness to transmit his experiences to us in words and pictures. Sometimes the episodes depicted are funny and sometimes they’re not, but they are eye-opening.
More on when and why I read the books below.