Increasing Feminism in the Works of Louisa May Alcott

Introduction

Loved by mothers and daughters for more than a century, Louisa May Alcott’s novel Little Women attained a higher level of popularity than any of her other books. Even though the book was clearly directed toward a female audience, it has been said of Little Women than even from a male point of view the book and its sequels are very good (Chesterton). Though Little Women is known mostly for its characters and amusing stories (Gale), it becomes clear to a careful reader that Alcott weaves into her stories her opinions on certain issues. Her reform-minded father and her mother both encouraged her to live independently and stand up for her opinions (Gale “Overview”; Magill, “Little Women” 1264). The issues Alcott supported included coeducation and abolition, but causes Alcott especially supported were women’s rights and women’s suffrage (Gale; Gale “Overview”). In fact, after she had become famous, the novelist used her popularity to aid her causes and became the first woman in Concord to register to vote (Magill, “Louisa May Alcott” 7). It should not be surprising, then, that it is Alcott’s feminism which most influences Little Women and which dominates her later works in particular. Sometimes Alcott speaks out quite strongly through her characters, but other times she must make sacrifices, toning down the opinions in order to insure that her books succeed. In her earlier works, such as Little Women, Alcott is most restrained, but in her novel Rose in Bloom, she is less so, and in Jo’s Boys, she hardly restrains her opinions at all.

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The Pilgrim’s Progress by John Bunyan

The full title of the work is The Pilgrim’s Progress from This World, to That Which Is to Come. The work tells the story of a man named Christian who reads the Bible and thus comes to fear his doom and to feel that he is carrying a burden. He desires to be saved. Luckily, he subsequently encounters a man named Evangelist who advises him to travel to the Celestial City by a certain path. Christian tries to follow his instructions, with varying degrees of success, and (massive spoiler alert) ultimately reaches his goal.

Is it worth reading this venerable Christian text nowadays?

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When and Why I Read The Pilgrim's Progress

The characters of Little Women refer to the book and its setting, characters, and plot.

Genre: fiction (religious allegory)
Date started / date finished: 16-May-19 to 20-May-19
Length: 145 pages
ISBN: Project Gutenberg 131
Originally published in: 1678
Gutenberg link: The Pilgrim's Progress

Little Women by Louisa May Alcott

Little Women, a popular and influential nineteenth-century American novel about the coming of age of four sisters, Meg, Jo, Beth, and Amy, is familiar, charming, and—for those with a compatible upbringing—only a little bit too didactic.

It’s easy to admire Jo, the fiercely independent heroine of Little Women, a tomboy who cuts all her hair off, looks forward to spinsterhood, and aims to support herself by writing. I wonder if she’s a Mary Sue; others (doubtless more fruitfully) debate whether or not the book is feminist.

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New Terrain / New Works featuring JY Yang at Sing Lit Station

I attended a talk on worldbuilding by Singaporean author JY Yang and took some photos and notes. My notes are not comprehensive, but are hopefully characteristic.

In keeping with Yang’s preferences, in the notes below, I have used they/them/their pronouns. (Still, being somewhat of a traditionalist in the realm of English grammar, I wish there were a distinct gender-neutral singular.)

About JY Yang (from Sing Lit Station)

After six years of writing speculative fiction, JY Yang finally finds themselves at the end of the critically acclaimed and bestselling Tensorate series, with the fourth and final volume, The Ascent to Godhood, out in July this year. As a postcolonial feminist writer who deals specifically with gender, cultural imperialism and structures of power in their work, JY Yang is currently embarking on the epic journey of crafting their first novel-length work of fiction. Described as a far-future space opera centred on the descendants of a doomed generation ship, it has giant robots, space stations under siege, emperors and hierophants, holy artifacts and faster-than-light travel. It is Joan of Arc meets Gundam.

About the Event (Worldbuilding “Lecture” at Sing Lit Station)

There were no PowerPoint slides; I can’t imagine the talk proceeding in that way. Yang was animated, spontaneous, and concise in sharing about their struggles and successes as a writer. The talk was neither wholly about worldbuilding nor off-topic, neither wholly driven by the author nor wholly driven by the audience. The chairs were filled, but there was space for everyone. It was a good-sized group, but still felt intimate. A delightful event.

Details below.
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Rosie Milne reads from Circumstance at Books Actually

Publisher Monsoon Books and bookshop Books Actually organized a reading by author Rosie Milne from her new novel Circumstance. Moderator Elaine Chiew followed up the reading with insightful commentary and questions.

See below for a bit of author Q&A and photos from the event.

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We Love Chinatown, We Love Geylang Serai, and We Love Serangoon Gardens by Urban Sketchers Singapore

Want to see inside? There are links to PDF samples on the publisher’s pages for We Love Chinatown, We Love Geylang Serai, and We Love Serangoon Gardens.

Our Neighbourhoods

Thus far, Urban Sketchers Singapore and Epigram Books have produced books of sketches of:

  1. Toa Payoh (November 2012)
  2. Tiong Bahru (February 2013)
  3. Bedok (April 2013)
  4. Queenstown (September 2013)
  5. Katong (April 2014)
  6. Little India (September 2014)
  7. Chinatown (May 2015)
  8. Geylang Serai (January 2016)
  9. Serangoon Gardens (January 2017)

Toa Payoh, Tiong Bahru, and Katong are sold out at the publisher.

When and Why I Read We Love Chinatown, We Love Geylang Serai, and We Love Serangoon Gardens

These are attractive locally-produced books.

Genre: non-fiction (art)
Date started / date finished:  07-Jan-19 to 07-Jan-19
Length: 96 pages
ISBN: 9789810778231, 9789814615181, 9789811700569 (paperback)
Originally published in: 2015, 2016 and 2017

Which English translation or edition of The Count of Monte Cristo should I read?

I love books. I love languages. I built welovetranslations.com. 

You can read this post on that site!

So you want to read Alexandre Dumas’ classic adventure, The Count of Monte Cristo. And you don’t read French.

No problem. This massive novel has been available in English since the 1840s. You’ll find a copy in any decent library or bookstore, and if you like reading ebooks, you can download the novel for free because it’s not under copyright. That’s sorted, then.

Not so fast!

As soon as you visit the library or bookshop or click over to Amazon, you realize there are a host of publishers offering a myriad of paperback and hardcover editions and dozens of digital versions. What’s the difference?

Unexpurgated, unabridged, abridged, children’s, illustrated, and film versions are available. Keep reading to learn how to choose an edition that’s right for you.

Continue reading Which English translation or edition of The Count of Monte Cristo should I read?

We Love Queenstown, We Love Katong, and We Love Little India by Urban Sketchers Singapore

Want to see inside? There are links to PDF samples on the publisher’s pages for We Love Queenstown, We Love Katong, and We Love Little India.

Our Neighbourhoods

Thus far, Urban Sketchers Singapore and Epigram Books have produced books of sketches of:

  1. Toa Payoh (November 2012)
  2. Tiong Bahru (February 2013)
  3. Bedok (April 2013)
  4. Queenstown (September 2013)
  5. Katong (April 2014)
  6. Little India (September 2014)
  7. Chinatown (May 2015)
  8. Geylang Serai (January 2016)
  9. Serangoon Gardens (January 2017)

Toa Payoh, Tiong Bahru, and Katong are sold out at the publisher.

When and Why I Read We Love Queenstown, We Love Katong, and We Love Little India

These are attractive locally-produced books.

Genre: non-fiction (art)
Date started / date finished:  08-Dec-18 to 08-Dec-18
Length: 96 pages
ISBN: 9789810766016, 9789810766078, 9789810778217 (paperback)
Originally published in: 2013 and 2014

Sofia and the Utopia Machine by Judith Huang

I struggled to get through this debut novel. I’m kinda glad it exists, though. Singapore censorship apparently does not extend to suppressing the following kinds of sentiments in fiction:

“You think Singaporeans care about human rights? they just care about filling their stomachs and about peace and quiet, that’s all.”

More about the novel here, here and here.

When and Why I Read Sofia and the Utopia Machine

I went to an Epigram Books event involving the author and bought a signed copy there.

Genre: fiction (young-adult, political speculative fiction)
Date started / date finished:  03-Dec-18 to 08-Dec-18
Length: 261 pages
ISBN: ASIN B07KDTHQCT
Originally published in: 2018
Amazon link: Sofia and the Utopia Machine

The Darkest Minds by Alexandra Bracken

I do not plan to continue reading the books in the series. The writing is not nearly as tight, polished, and thoughtful as Veronica Roth’s writing in the Divergent series.

When and why I read The Darkest Minds

I am reading this because I saw the 2018 movie.

Genre: fiction (young-adult fantasy/dystopia)
Date started / date finished:  30-Nov-18 to 03-Dec-18
Length: 518
ISBN: 9781786540249
Originally published in: 2012
Amazon link: The Darkest Minds