Tag: book log

I read a lot, and I keep a log. Here’s this year’s log and the complete log (which goes back to the beginning of 1999). Read the posts in this section to find out what I thought about these books.

Save the Cat by Blake Snyder

I love Blake Snyder’s Save the Cat.

I’ve been using Snyder’s fifteen-item beat sheet to analyze movies. The beat sheet has helped me remember movies after I’ve watched them, and has also helped me appreciate their twists and turns as they happen. Ultimately, I hope internalizing the beat sheet will help me as a writer.

A 2013 Slate article blamed Snyder for a slew of bad movies, claiming that ever since he published his ‘formula’, movie-makers have slavishly followed it, to the detriment of art. It’s hard to disagree, until you read the rebuttal, which is that bad movies exist because making good movies is hard. Okay, yeah, fair enough.

Storytelling is an old art, and stories already had a three-act structure back when Aristotle was around, because he wrote about it. Nobody blames Joseph Campbell, with his famous Jungian Hero with a Thousand Faces, for ruining storytelling by outlining the meta-myth from which all myths spring. No more should we blame Snyder for understanding how best to bend myths into movies.

I read the Campbell book in 2014; didn’t much care for it. I’ve considered reading Christopher Vogler’s book The Writer’s Journey, but I suspect it’s more on Campbell’s end of the spectrum than Synder’s. Somewhere sitting happily in the middle is Robert J. Bly’s book The Weekend Novelist Rewrites the Novel, which leverages many mythological archetypes and terms from Greek rhetoric but explains and exemplifies them usefully, often giving tips for writing novels lifted from—you guessed it—the discipline of screenwriting. I’m tempted to read something by Syd Field or Robert McKee, but then, at least at this point, I’m not actually interested in screenwriting per se.

Save the Cat isn’t all about the much-maligned beat sheet; if it were, the book would be called Blake Snyder’s Beat Sheet instead. What else is in the book?

  • how to write and test a good logline (one sentence movie concept)
  • Blake’s list of 10 unconventional movie “genres”
  • how to choose a hero
  • how to arrange your scenes on “the board” (use four rows; one row of about 10 scenes for Act I, two for Act II, one for Act III)
  • how to leverage a handful of quirkily named commonsense rules of screenplay writing (including Save the Cat)
  • how to troubleshoot a weak screenplay
  • what to do after you finish writing a screenplay
  • a glossary of terms (industry terms and Snyderisms)

Right, so, what does “Save the Cat” mean anyway? It just means that your protagonist should do or experience something very early on to win the audience’s support.

When and Why I Read Save the Cat

I have read this book before. It has been great at helping me think about plot. In fact, I have the Blake Snyder Beat Sheet on the wall by my computer. I read the book again to get a firmer grip on the details. There is so much more good advice than I remembered. How does it all fit in such a short book with so much whitespace? I don’t know how he did it.

Genre: non-fiction (movies, writing)
Date started / date finished:  26-Feb-17 to 04-March-17
Length: 195 pages
ISBN: 9781932907001 (paperback)
Originally published in: 2005
Amazon link: Save the Cat

Style by Joseph M. Williams

I never thought I would read the word “turgid” so many times in my entire life. Style: Toward Clarity and Grace repeats the word, of course, because it’s telling you how to avoid writing “turgid prose”.

There’s a lucid chapter on the subject of usage, which deftly cuts through all the normal chatter about what should be a rule and why or why not, but most of the book is not about controversial words and grammatical constructions. It’s about what makes a passage understandable, and it describes the process of transforming one that’s not into one that is. It’s describing the acquisition and communication of concepts and knowledge as much as anything. It’s almost a book of cognitive psychology. I have a lot of books on language and writing, but I don’t think I’ve ever read anything like this before.

Maybe that’s because it was originally a textbook. It feels a bit strange to watch someone poke sentences and move bits of them around on the page; the skills being described can only really be improved through use. This version of the book is informative, but perhaps not as effective as the versions that give the reader practice writing and revising.

More on what I liked about the book and when and why I read it below.

Continue reading Style by Joseph M. Williams

Everybody Writes by Ann Handley

Everybody Writes is a book that Derek Zoolander would recommend to “adults who can’t write good and want to do other stuff good too”. If you’re one of those, then, by all means, share and enjoy.

It’s not, or not entirely, Ann Handley’s fault that I found her book disappointing. For one thing, I had high expectations. I eliminated at least a dozen books on blogging from my Amazon cart before I decided to buy hers. For another thing, I was, simultaneously, reading a book on writing I much preferred, an erudite tome called Style by Joseph M. Williams. And anyway, I am probably not in the target audience. The subtitle of Part I, “How to Write Better and How to Hate Writing Less”, should have been an obvious red flag: I don’t hate writing.

The book has a lot of good reviews on Amazon, so some people seem to have found it useful, and even I got some use out of it—just not as much as I was hoping to.

More on what I disliked about the book as well as when and why I read it below.

Continue reading Everybody Writes by Ann Handley

Dangerous Liaisons by Choderlos de Laclos

Dangerous Liaisons is a deeply disturbing book.

I think what bothers me most is the fact that sincere expressions of supposedly private emotions are betrayed to third parties, i.e., that innocent people are being made fools of and don’t even know it. It is horrible to suspect that others are laughing at us; it is even more horrible to find out that we have indeed been laughed at, and that, further, we deserved it, if only because we were naive.

Do you think you can evade vicarious injury by identifying with the clever if cruel miscreants rather their victims? Then you will be pained when the novel fails to conclude as happily for them as they seem to assume it will. No one gets away unscathed!

The ambiguous stance of the book allows readers multiple interpretations. One lesson you could say the book teaches is never to give anyone the benefit of the doubt, though perhaps it’s simply saying that no matter how suspicious you try to be, your trust will always be misplaced. A more benign lesson would be that the ridiculous French loan-word ‘liaison’ has two i’s in it—if I never type the word again, it will be too soon.

Meanwhile, I offer you a presumably accidental pun on the word “affair” in the form of a questionably worded Quizno’s ad.

When and Why I Read Dangerous Liaisons

This work was chosen as the Hungry Hundred Book Club book for February 2017.

Genre: fiction (French literature)
Date started / date finished:  28-Jan-17 to 06-Feb-17
Length: 409 pages
ISBN: 9780140449570 (paperback)
Originally published in: 1782
Amazon link: Dangerous Liaisons

Middlemarch by George Eliot

When I read Middlemarch in 2015, I was surprised when the focus shifted away from the character I thought was the protagonist. In fact, the book has an ensemble cast whose stories are woven together by a variety of relationships all contained within the same geographical area, the town of Middlemarch. Hence the title.

One of the Hungry Hundred Book Club members said the book was about “knowing the other”, though obviously not in the science-fiction sense of knowing aliens from other planets. I very much agree. The plot relies on characters who make assumptions and project their own worldviews on others unknowingly, then find, having hurt others or themselves, that they were mistaken.

The characters are not to be blamed for not understanding each other perfectly to begin with (such problems are perennial human ones), but we can certainly judge them for the actions they take and the attitudes they adopt when they realize they are wrong.

My evaluations of some of the characters below as well as information on when and why I read the book.

Continue reading Middlemarch by George Eliot

Royal Magic by Ruth Chew

I like the plot of Royal Magic. Reminds me a bit of the Laotian movie The Rocket, in that there’s a society that thinks twins are bad luck.

Ruth Chew writes books that take kids on magic adventures. The only magic in Royal Magic is the fact that two kids are accidentally transported to someplace else when they go to the natural history museum in New York.

When and Why I Read Royal Magic

I was trying to figure out whether the plot involved time travel because a book blogger asked me about it.

Genre: children’s fiction (fantasy)
Date started / date finished:  22-Jan-17 to 22-Jan-17
Length: 127 pages
ISBN: 0590447424 (paperback)
Originally published in: 1991
Amazon link: Royal Magic

Wrong Way Around Magic by Ruth Chew

Ruth Chew writes books that take kids on magic adventures. In Wrong Way Around Magic, the only magic is a pair of field glasses (binoculars) that takes two kids to some place which is probably pre-modern China, though the text never really says.

When and Why I Read Wrong Way Around Magic

I was trying to figure out whether the plot involved time travel because a book blogger asked me about it.

Genre: children’s fiction (fantasy)
Date started / date finished:  22-Jan-17 to 22-Jan-17
Length: 128 pages
ISBN: 0590460234 (paperback)
Originally published in: 1993
Amazon link: Wrong Way Around Magic

 

The Three-Body Problem by Cixin Liu

It’s as if Kafka decided to write a book with Carl Sagan, M.C. Escher, and Edwin Abbott Abbott (author of Flatland), and set it in China: You’ve got alienation, disillusionment, despair; satellite dishes listening for alien messages and actually receiving them; complex or impossible geometry, organisms passing from life to death and back again, meditative reflections and echoes of the self; and extrapolation that gratuitously passes beyond three dimensions… all of which is set against the backdrop of the bloody Cultural Revolution and conveyed in English that sounds like fingernails on a chalkboard.

I found it hard to enjoy The Three-Body Problem because I found the book badly written on a macro level as well as a micro level and because I dislike some of the themes. It was only interesting to read because it was really weird. Specifics but no spoilers below.

Continue reading The Three-Body Problem by Cixin Liu

Peter and Wendy by J. M. Barrie

Yep, that’s the name of the famous book. It’s not actually called Peter Pan!

I saw the play at least once long ago, and the Disney movie at least once not so long ago. I was curious to read the book. When I did, several things surprised me.

  • Disney didn’t change the story much; in the book as well as the movie, Nana is a dog, for example, and many other character, setting and plot details line up surprisingly well.
  • The Lost Boys and Peter Pan actually kill pirates. Descriptions of the fights aren’t particularly graphic, but the idea of orphaned children using sharp, deadly weapons on adults—on anyone—is disturbing.
  • The narrator is rather intrusive. Sometimes the effect is humorous, but sometimes it’s just annoying. Children’s books aren’t often written this way anymore.

More on characterization of Peter, Tinker Bell, Mr. and Mrs. Darling, and Hook below.

Continue reading Peter and Wendy by J. M. Barrie

125 Ways to Make Money with Your Typewriter by David Seltz

The 126th way one can make money with one’s typewriter is, presumably: Write a book about ways one could make money with one’s typewriter.

I bought this book at a rummage sale in part because it was well made and thus physically pleasing: It’s a cloth-bound hardcover (those are rare these days); it’s in good shape for its age; the typography is charmingly old-fashioned. The book was produced in 1939.

I also bought it because I wondered whether the ideas were still relevant more than 70 years later, in an age when there are more personal computers than there ever were typewriters. What’s changed and what hasn’t? See below for examples, as well as when and why I read the book.

Continue reading 125 Ways to Make Money with Your Typewriter by David Seltz