Year: 2018

How We Learn by Benedict Carey

Some popular science books are dumbed-down echoes of what other popular science books have already said. At best, they’re mildly entertaining and informative, but at worst, they mislead, filling the world with oversimplified factoids. Ideas should be made as simple as possible, but no simpler.

Benedict Carey is nobody’s fool. On page 5, after saying the brain’s modules are like a movie production crew, he takes a step back and says that actually they’re not, because metaphors are all inherently flawed.

What a relief, I thought. This was not going to be a book that would hand me an analogy in place of actual explanation. This was a book written by someone keenly conscious of the tools of writing and their limitations, an intelligent writer with respect for his readers’ intelligence.

How We Learn provides some general background in brain research, by (for example) summarizing some ground-breaking research on split-brain patients which is fascinating if you’ve never heard about it, but there’s a particular thrust to the book which is to apply brain science to the domain of education. The book relates the conclusions of several different kinds of studies designed to find out what circumstances and techniques lead to better learning.

The marketing text on the back of the book is click-baity: “What if almost everything we have been told about learning is wrong? And what if there is a way to achieve more with less effort?”

In fact, some of the conclusions are familiar: Cramming works for tests, but if you want to remember stuff longer, study a little bit, often. Sometimes, however, there’s a twist: Sleep is good, yeah, but if you have to cut some sleep, should you stay up later or wake up earlier? Well, it depends. Read the chapter on sleep to find out why.

Whether or not the advice in the book will help you put your laziness, ignorance, and distraction to work for you as the back cover seems to promise, it’s fun reading about scientific studies of memory and learning when someone has packaged them in an entertaining and articulate way, as Benedict Carey has done.

When and Why I Read How We Learn

I like books about how our brains work. Also, this one was printed with orange edges, which is pretty cool.

Genre: non-fiction (educational psychology)
Date started / date finished: 18-May-2018 / 23-May-2018
Length: 230
ISBN: 9781447286349
Originally published in: 2014
Amazon link: How We Learn

Isle of Dogs (2018)

Having watched The Grand Budapest Hotel at the behest of at least one fan of Wes Anderson, I decided I was not also a fan of Wes Anderson. Maybe a different movie (a stop-motion canine dystopia set in Japan) would change my opinion?

Nope. Still not a fan of Wes Anderson.

https://itunes.apple.com/us/movie/isle-of-dogs/id1363298490

Articles about Isle of Dogs

Vulture: “What it’s like to watch Isle of Dogs as a Japanese speaker”
The writer shares some thoughts about language, setting, and the possibilities and pitfalls of cultural appropriation, adding thoughts from several Japanese speakers.

The New Yorker: “What Isle of Dogs gets right about Japan”
The writer considers the film’s use of Japanese language and culture to be thoughtful and nuanced, and says, yes, actually there are Japanese in-jokes as well as a lot of culturally accurate details. Personally, I agree that the American in the story is not a “white savior” because although she rebels, she’s ultimately ineffective.

The New Yorker: “Isle of Dogs is a stylish revolt against (American) political madness”
“Thrust into situations of utter degradation, places of utter ruin, and fates of utter despair, these [canine] victims unite in resisting the forces that would destroy them and, in the process, tap into a latent sensibility and forge a sublime style of their own….. The movie looks closely at deportation, internment in a prison camp, and the threat of extermination—all from the perspective of the victims.” Welp, now I feel silly taking the story at face value. Of course it’s all a political metaphor.

Vulture: “Isle of Dogs: Did you fall asleep?”
The writer explains some reasons why Wes Anderson, or at any rate, this film of his, is not for everyone: Anderson is deadpan, the visuals are precise, and there’s a lot of dialog in Japanese.

The Atlantic: “The beauty and sadness of Isle of Dogs“
The writer says this fable about evil, told with “magnificently deadpan humor”, is “filthy and fetid, yet somehow utterly gorgeous”. Personally, I don’t see how something can be disgusting and beautiful at the same time. And that’s my biggest problem with the film: I kept wanting to look away.

Five Kingdoms (Books 1 to 5) by Brandon Mull

In the fourth book in the excellent fantasy series Five Kingdoms by Brandon Mull, the main character decides that, even knowing what he knows at this point, he would go back in time and do it all again.

At a writing workshop I and some writer friends went to recently, we were told that, because a story always involves loss, the main character would always wish, at the end of the story, not to have experienced the events of the story.

Clearly there’s a disjuncture between commercial and literary fiction, and I prefer commercial fiction. See below for more on why.

Continue reading Five Kingdoms (Books 1 to 5) by Brandon Mull

Cold beer, wet air

People who sell drinks near where people work or relax outdoors in the heat have a technique for making their drinks look particularly cold: They put the bottles in the freezer for a while, which in addition to actually making the drinks a bit colder, makes the bottles look nice and frosty when they are taken out.

Food and drink photographers know that condensation on a drink makes it look cold even if it’s not, so to gain time to capture the perfect shot, they may use inedible glycerin to create “condensation” drops that last longer.

My Tiger beer frosted itself very thoroughly and automatically as soon as it came into contact with the steamy Singapore air.

big beer at Newton Food Centre

Side note: I imagine the stall owners at Newton want to smack whoever bought the first blinking LEDs. That first stall’s obvious advantage kicked off an arms race. The result is that almost all the stalls now have very flashy signs, and none of them stand out. Except maybe the one that has a programmable LED signboard… the arms race continues!

A Room with a View by E.M. Forster

A Room with a View was the Hungry Hundred Book Club book for May. The group leader, Rachel, started off the discussion at the well-attended meetup with an interesting question:

Is A Room with a View primarily a love story, a coming-of-age story, or social commentary?

Since the book has elements of all three, the answer to the question says as much about the reader’s perspective as it does about the book itself. How much people enjoyed the book depended very much on what they thought it was trying to do and what they thought it did well, thus the question served not only to kick off the discussion but also to guide and shape it.

At the end of the discussion, we rated the book. It garnered perhaps only one rating of five stars, but many of three or three-and-a-half or four, as well as a couple of very low ratings (0.5 and 2). The reason for the less-than-spectacular average rating seemed to be that Forster was undeniably good, yet didn’t measure up to other writers.

During the discussion, someone mentioned a Guardian article based on a lecture by Zadie Smith on the fiction of E.M. Forster. The article compares Forster’s work to Austen’s.

Forster ushered in a new era for the English comic novel, one that includes the necessary recognition that the great majority of us are not like an Austen protagonist, would rather not understand ourselves, because it is easier and less dangerous.

Zadie Smith, in pointing out this message in Forster’s work, is saying in part that what Forster was doing was different from what others were doing, and that he was good at it. I agree.

See below for my opinion on whether A Room with a View is a love story, coming-of-age story, or social commentary and what I got out of it. (If you’ve never read the book or watched the movie, note that this post gives away the ending.)

Continue reading A Room with a View by E.M. Forster

Please push your bicycle across the underpass

This is a grammar post. I think the sign should say:

Please push your bicycle through the underpass.

I would use “through” because an underpass is basically a tunnel.

The light is in the tunnel, not at the end of the tunnel.

Not that prepositions necessarily make any sense, but in my experience, we say you go across things that you are on and we say you go through things you are in.

Thus, if the sign were talking about a bridge, then it could say:

Please push your bicycle across the bridge.

Bras Basah Complex: Art, Dance, Explore, Sports, Book

If you are looking to buy books in Singapore, this is a good place to go. It has several book shops selling new or used books. It also has print shops, art supply shops, stationery shops, and shops selling musical instruments and antiques.

Within the last couple of years, these colorful square signs were added to convey the complex’s status as a cultural hub of sorts.

Bras Basah Complex
* Art * Dance * Explore * Sport * Book

One of my pet peeves is lists of things that aren’t all the same part of speech. “Art, Dance, Explore, Sports, Book” is a fantastic example. See below for why.

Continue reading Bras Basah Complex: Art, Dance, Explore, Sports, Book

Avengers 3: Infinity War (2018)

I’m thinking I should go see more movies during the opening week or weekend because when I watched Infinity War, I enjoyed people’s reactions to the movie as much as I enjoyed the movie itself. People gasped and laughed and went “WHHHHOOOAAA” in large numbers. One girl in the audience actually screamed when one of the characters got stabbed. At one point I heard the audience collectively go “SHHH***TTT”.

I’m reminded a bit of the time I went to see a WWF match: the audience was really into it, for some of the same reasons: people like to see a champion fight an enemy, and they love it when the champion delivers a particularly cool attack. I was also reminded of what it was like seeing the first Harry Potter movie in a really big, really full theater when it first came out: people loved the characters and felt invested in their world, and couldn’t wait for the chance to enter that world with them. Marvel has built a visually and, yes, emotionally rich alternate reality.

Before I saw the movie, I heard that this Marvel movie was “different”. I assumed that maybe meant it had an even bigger cast of characters than before, or that it was better than Age of Ultron, which people thought was kind of lame. That wasn’t what they meant. They were talking obliquely about the ending, which I will not talk about until you scroll down quite a bit further.

For some reason I thought “Infinity War” referred to the galactic scope of a war, or maybe to a war that gets stuck in some kind of time loop as in Doctor Strange. Nope. The war is named after the stones that the bad guy, Thanos, is looking for. When the movie begins, Thanos has one of the infinity stones already, the power stone (purple). He has attached it to a golden gauntlet on his left fist, which would look ridiculous if he weren’t an immense and very ruthless villain.

Thanos is looking for the remaining five stones. He is missing the space stone (blue), the reality stone (red), the soul stone (orange), the time stone (green), and the mind stone (yellow). If you’ve been paying attention, you’ve seen these stones in other Marvel movies. For the sake of the universe, we hope they stay hidden.

Watch on Amazon

See below for a summary with SPOILERS. I’ve done a beat sheet in the style described in Blake Snyder’s Save the Cat, but the sequence may be a bit weird. The movie cut back and forth between the different sets of characters more than my summary does, so things are a little out of order.
Continue reading Avengers 3: Infinity War (2018)