I know where the book came from, but not how it ended up where it did, in the West Elm home furnishings store in Ponce City Market in Atlanta, Georgia, where along with two other books it was resignedly decorating a console table.
When and Why I Read Preliminaries to Linguistic Phonetics
If you have ever doubted the forces of coincidence, doubt no more, for they conspired to an almost inconceivable degree to ensure that I came into the possession of this particular book.
Genre: Linguistics
Date started / date finished: 08-Mar-20 to 21-Mar-20 Length: 111 pages ISBN: 0226467864
Originally published in: 1971
Amazon link: Preliminaries to Linguistic Phonetics
When I moved to Singapore in 2008, my then-husband’s employer put us up in a hotel (The Copthorne Orchid, since torn down) while we looked for a place to rent. The hotel ran a shuttle bus to downtown Singapore’s shopping district, Orchard Road. The first time I took the shuttle bus, I alighted, went up and over a pedestrian bridge, walked in a shopping mall, and immediately encountered a bookstore. “I’m going to like this country,” I thought.
That bookstore, San Bookshop, has since closed. So have all the other San Bookshops. So has another bookshop I found at Far East Plaza that day.
Asian Proverbs is a heavy, compact hardcover volume of full-color, glossy pages showcasing 40 sayings from each of 11 different countries and regions: India, Burma, Thailand, Vietnam, Malaysia, Indonesia, Tibet, China, The Philippines, Korea, and Japan. The quotations are shown in smoothly translated English and the original language opposite a selection of artworks representing the culture of the country or region. Some of the sayings are rather opaque, while others have a familiar flavor. Most have the ring of truth.
When and Why I Read Asian Proverbs
I bought this book at ANA Book Shop at Far East Plaza.
Genre: Reference Date started / date finished: 21-Mar-20 to 21-Mar-20 Length: 186 pages ISBN: 9789889827069
Originally published in: 2011
Amazon link: Asian Proverbs
I knew that the book would be different from the stage play because halfway through the film of the stage play the organizers showed a short “making of” documentary describing the development of the play and its puppets. Just how different, I could only imagine.
Now I know. It’s hugely different.
See below for more on the book’s characters, settings, plot, style, but you might want to read the book first, because it’s short and this post has SPOILERS. You might also want to read my post on War Horse (the film of the stage play).
I recently saw a film of the stage play. I wanted to compare the story as it is told in the book.
Genre: Children's Historical Fiction / Animals
Date started / date finished: 31-Jul-19 to 31-Jul-19 Length: 188 pages ISBN: ASIN B00457WZEI
Originally published in: 1982/2010
Amazon link: War Horse
I have nothing good to say about this book. I do not understand how it can possibly be a bestseller.
I’m not the only one who feels like it’s a few sandwiches short of a picnic. Here’s an excerpt from a PW review of Wintersong that encapsulates my objections succinctly:
“The plot meanders, the stakes are ill-defined, and the characters lack depth and verisimilitude.”
I am reading this for the Middle Grade / Young Adult Fiction Book Club. It is marketed as a retelling of the 1986 movie Labyrinth.
Genre: young adult fantasy / romance Date started / date finished: 13-Jun-19 to 17-Jun-19 Length: 448 pages ISBN: ASIN B01C2TAATC
Originally published in: 2017
Amazon link: Wintersong
This book of folktales was a gift brought back for me from Uzbekistan with a couple of other items:
Dried apricots, spice tea, a detailed handcrafted magnet, and a booklet of folktales.
The booklet is not a top-quality production, and has some flaws and errors. By far the worst error is that one of the stories was accidentally split into two parts, the second part printed on an earlier page and the first part printed on a later one! Still, the translation is accessible, the introduction is informative, and the folktales are entertaining.
The stories are a mix of humor, wisdom, and foolishness. The central character, Mulla Nasreddin or Nasrudin, is known by a variety of names with a variety of spellings. He is sometimes clever and sometimes obtuse.
I read A Portrait of the Artist as a Young Man as a high school student. When I re-read it again recently for the Hungry Hundred Book Club I asked myself, more than once, why I’d even bothered, not having liked it the least little bit the first time around.
Enough was enough, I told myself. Lesson learned. I was never going to read more Joyce. Life’s too short to spend time trying to like stuff I don’t actually like, regardless of how ‘important’ the stuff purports to be. But then, I read more Joyce anyway! Why did I do that?!
The Irish Embassy in Singapore invited local readers to participate in Bloomsday by reading James Joyce's short story collection Dubliners and coming for a discussion on 14 June 2019. I saw it as an opportunity to pursue the question of whether Joyce is really the founder of ALL modern fiction, as has been asserted.
Genre: literary fiction (short stories) Date started / date finished: 30-May-19 to 05-Jun-19 Length: 150 pages ISBN: Project Gutenberg 2814 Originally published in: 1914 Gutenberg link: Dubliners
Loved by mothers and daughters for more than a century, Louisa May Alcott’s novel Little Women attained a higher level of popularity than any of her other books. Even though the book was clearly directed toward a female audience, it has been said of Little Women than even from a male point of view the book and its sequels are very good (Chesterton). Though Little Women is known mostly for its characters and amusing stories (Gale), it becomes clear to a careful reader that Alcott weaves into her stories her opinions on certain issues. Her reform-minded father and her mother both encouraged her to live independently and stand up for her opinions (Gale “Overview”; Magill, “Little Women” 1264). The issues Alcott supported included coeducation and abolition, but causes Alcott especially supported were women’s rights and women’s suffrage (Gale; Gale “Overview”). In fact, after she had become famous, the novelist used her popularity to aid her causes and became the first woman in Concord to register to vote (Magill, “Louisa May Alcott” 7). It should not be surprising, then, that it is Alcott’s feminism which most influences Little Women and which dominates her later works in particular. Sometimes Alcott speaks out quite strongly through her characters, but other times she must make sacrifices, toning down the opinions in order to insure that her books succeed. In her earlier works, such as Little Women, Alcott is most restrained, but in her novel Rose in Bloom, she is less so, and in Jo’s Boys, she hardly restrains her opinions at all.
The full title of the work is The Pilgrim’s Progress from This World, to That Which Is to Come. The work tells the story of a man named Christian who reads the Bible and thus comes to fear his doom and to feel that he is carrying a burden. He desires to be saved. Luckily, he subsequently encounters a man named Evangelist who advises him to travel to the Celestial City by a certain path. Christian tries to follow his instructions, with varying degrees of success, and (massive spoiler alert) ultimately reaches his goal.
Is it worth reading this venerable Christian text nowadays?
The characters of Little Women refer to the book and its setting, characters, and plot.
Genre: fiction (religious allegory) Date started / date finished: 16-May-19 to 20-May-19 Length: 145 pages ISBN: Project Gutenberg 131 Originally published in: 1678 Gutenberg link: The Pilgrim's Progress
Little Women, a popular and influential nineteenth-century American novel about the coming of age of four sisters, Meg, Jo, Beth, and Amy, is familiar, charming, and—for those with a compatible upbringing—only a little bit too didactic.
It’s easy to admire Jo, the fiercely independent heroine of Little Women, a tomboy who cuts all her hair off, looks forward to spinsterhood, and aims to support herself by writing. I wonder if she’s a Mary Sue; others (doubtless more fruitfully) debate whether or not the book is feminist.
I attended a talk on worldbuilding by Singaporean author JY Yang and took some photos and notes. My notes are not comprehensive, but are hopefully characteristic.
In keeping with Yang’s preferences, in the notes below, I have used they/them/their pronouns. (Still, being somewhat of a traditionalist in the realm of English grammar, I wish there were a distinct gender-neutral singular.)
About JY Yang (from Sing Lit Station)
After six years of writing speculative fiction, JY Yang finally finds themselves at the end of the critically acclaimed and bestselling Tensorate series, with the fourth and final volume, The Ascent to Godhood, out in July this year. As a postcolonial feminist writer who deals specifically with gender, cultural imperialism and structures of power in their work, JY Yang is currently embarking on the epic journey of crafting their first novel-length work of fiction. Described as a far-future space opera centred on the descendants of a doomed generation ship, it has giant robots, space stations under siege, emperors and hierophants, holy artifacts and faster-than-light travel. It is Joan of Arc meets Gundam.
About the Event (Worldbuilding “Lecture” at Sing Lit Station)
There were no PowerPoint slides; I can’t imagine the talk proceeding in that way. Yang was animated, spontaneous, and concise in sharing about their struggles and successes as a writer. The talk was neither wholly about worldbuilding nor off-topic, neither wholly driven by the author nor wholly driven by the audience. The chairs were filled, but there was space for everyone. It was a good-sized group, but still felt intimate. A delightful event.
