The Golden Chersonese by Isabella Bird

I wrote a post about The Golden Chersonese for Asian Books Blog.

A paperback edition of The Golden Chersonese was published in 2010 by Monsoon Books. The text is also available free from Gutenberg.org along with various other works by Isabella Bird.
http://www.gutenberg.org/ebooks/author/393

Bird traveled around the world in the late 1800s, largely unaccompanied. This volume of hers, one among a dozen published works, contains letters describing her experiences in the Malaysian Peninsula, where she traveled after stopping briefly in China, Hong Kong, Vietnam and Singapore.

Reading the letters without much in the way of added historical context left me feeling somewhat adrift, but the book was worth reading for the strange feeling it gave me of traveling not just in space but in time.

See below for some notes on what makes this travelogue very much of its time and not ours.

Continue reading The Golden Chersonese by Isabella Bird

Singapore Siu Dai 1 and 2 by Felix Cheong, illustrated by PMan

Both servings of Singapore Siu Dai offer comics and brief comedy sketches that exaggerate the ironies of life on the island and lovingly poke fun at aptly named fictional characters meant to caricature the island’s people.

Though I can’t help but feel that the target audience consists of people who are familiar with acronyms like MOE (Ministry of Education) and the ubiquitous Singlish speech particle ‘lah’, there’s a glossary that explains these and other potentially opaque terms, noting whether they are Malay, Cantonese, Hokkien, Mandarin or Singlish.

Luckily for foreign readers, one of the entries explains the phrase ‘siu dai’, which means ‘less sugar’, the idea being that these sketches depict Singapore, warts and all.

There’s a third Siu Dai book that I haven’t yet managed to snag.

When I Read Singapore Siu Dai 1 and 2

Singapore Siu Dai 1
Date started / date finished: 17-Nov-20 to 17-Nov-20
Length: 129 pages
ISBN: 9789810788582
Originally published in: 2014

Singapore Siu Dai 2
Date started / date finished: 19-Nov-20 to 23-Nov-20
Length: 139 pages
ISBN: 9789810925499
Originally published in: 2014

The Complete Eh, Goondu! by Sylvia Toh Paik Choo

This is the grandaddy of all the other books on Singlish. This paperback, containing reprints of two originally separate volumes from 1982 and 1986, contains a wealth of acronyms, onomatopoeias, words, phrases, and chants in or derived from English, Malay, and the locally spoken Chinese dialects Hokkien, Cantonese, and Teochew.

Continue reading The Complete Eh, Goondu! by Sylvia Toh Paik Choo

Meet Me on the Queen Elizabeth 2 by Catherine Lim

Award-winning Singaporean author Catherine Lim has written many books, but this is the first one to find its way into my collection. I don’t think it’s typical; it’s a rather short novel based on a cruise she went on.

I’m not a fan of semi-fictionalized stories (like Roots) that chase two rabbits and catch neither. Memoir-type stories are interesting as accurate representations of unusual situations, whereas novels entertain by telling carefully constructed, dramatic stories. If you’re composing a memoir, you create drama by choosing what to include and what to omit, but you don’t invent things. If you’re writing a novel, you invent pretty much everything. If you switch back and forth from recording to creating, I never know whether you’re relating something that happened, or something you imagined. The result is a feeling of cognitive dissonance.

The genesis of Meet Me was, according to the author’s preface, accidental, and its publication reluctant. When Lim was on the Queen Elizabeth 2, she wanted to write satirically about the people she met. After penning her thoughts, however, she found that the ship had subverted her intentions and made her instead write unflatteringly about herself, at which point she thought maybe she wouldn’t actually publish anything about the cruise. Nevertheless, here we are. And there she is on the cover.

If you’re going to read a navel-gazing book about a female author’s mid-life crisis, read Eat, Pray, Love. There’s a reason Elizabeth Gilbert’s quest to find God or a man or whatever is one that hundreds of thousands of people have read about and/or watched. To the extent that Gilbert rewrote her own experiences by leaving out the messy or unsatisfying bits, her story became stronger as a story. When we read narrative non-fiction, we still look for narrative as well as truth.

The Maze Runner Trilogy by James Dashner

I tend to like teen novels about dystopias. I do NOT, however, like zombies. I’m really glad I checked out these books from the library rather than buying them (as I was considering doing), because, as it turns out, they’re about—guess what?—zombies.

The book series, kind of like a zombie, refuses to die. It keeps getting more and more volumes tacked on, so there must be people who enjoy this sort of thing. I decided reading the original trilogy was quite sufficient. Oh, and I’ve seen the first movie twice now. The original book trilogy, consisting of The Maze Runner, The Scorch Trials, and The Death Cure contains a complete story arc.

Don Quixote by Cervantes (translated by P.A. Motteux)

The language in this translation helped transport me to another time and place where I was entertained by all manner of well-meaning but misguided behavior. What made the silliness tolerable was that the narration doesn’t force the reader into the character’s perspective. I could sit back comfortably and laugh because the character is always over there, on a stage, so to speak. I like omniscient narrators; I don’t like unreliable narrators. Here’s what our omniscient narrator says about Don Quixote (page 14):
[H]e rode so softly, and the sun’s heat increased so fast, and was so violent, that it would have been sufficient to have melted his brains had he had any left.
The elevated language and long, flowing sentence, of which this is just the very tail end, left me unprepared for the apt insult lurking all the way at the end. When I read this joke, I knew I was going to enjoy the novel. I was utterly floored in the second half of the book to learn that the characters are aware that they have been written about. The idea of breaking the fourth wall is older than I would ever have guessed! The narrator goes to great lengths to insist that he is now narrating the ONE TRUE SEQUEL, never mind those bumbling copycats who had tried, between the publication of Part 1 and the publication of Part 2, to steal the author’s glory and book sales.

Which translation of Dostoevsky’s Crime and Punishment should I read?

I read the Garnett translation. I was happy with it, to the extent that “happy” is the right word to describe the experience of reading what I found to be a depressing novel.

What is the BEST translation of Crime and Punishment?

I did some research on the available translations, which I have presented in a long, illustrated post on my other website, We Love Translations, called “Which translation of Dostoevsky’s Crime and Punishment should I read?”

That post compares in-print translations. I count seven in-print translations of thirteen total, listed here:

# Translator Year Publisher
Frederick Whishaw 1885
1. Constance Garnett 1914 Heinemann
David Magarshack 1951 Penguin
Princess Alexandra Kropotkin 1953
Jessie Coulson 1953 Norton
Michael Scammell 1963 Washington Square
2. Sidney Monas 1968 Signet
Julius Katzer 1985 Raduga
3. David McDuff 1991 Viking
4. Richard Pevear and Larissa Volokhonsky 1992 Knopf
5. Oliver Ready 2014 Penguin
6. Nicolas Pasternak Slater 2017 Oxford
7. Michael R. Katz 2018 Liveright (Norton)

I recommend the Garnett translation of Crime and Punishment.

Buy Garnett / Wordsworth paperback from Amazon

Buy Garnett / Wordsworth ebook from Amazon

I love books. I love languages. I built welovetranslations.com. 

Visit to learn more about translations of Crime of Punishment!

Crime and Punishment Fyodor Dostoevsky, translated by Constance Garnett

I didn’t particularly like Crime and Punishment… it was third-person omniscient but drifted into unreliable narrator territory because the protagonist is crazy, and you spend a lot of time watching him very closely as he goes around in circles being indecisive. I find his behavior dull at best and really frustrating at times—which is perhaps the point, but it’s unpleasant and rather drawn-out. I think I was expecting more overt philosophy, but there’s only a couple of scattered bits.

I read the Constance Garnett translation of Crime and Punishment. If you are trying to decide on a translation, check out my post over at Medium on which translation of Crime and Punishment you should read.

More on what I liked about the translation and didn’t like about the novel below.

Continue reading Crime and Punishment Fyodor Dostoevsky, translated by Constance Garnett

Educated by Tara Westover

I am not practiced in evaluating biographies, autobiographies, and memoirs. I don’t often read them. In fact, I only just learned (by asking Google) that the difference between an autobiography and a memoir is that the former generally consists of key facts about a person who just happens to be the author, whereas the latter is more about “emotional truth”.

So what do I think of the emotional truth of Tara Westover’s memoir Educated? I’m not sure. I could go at it one of several ways. Maybe it’s an indictment of a backward Mormon family. Maybe it’s the story of the triumph of a determined individual over uniquely challenging circumstances. Maybe it’s the literary equivalent of a sordid reality TV-show. Probably it’s a little bit of all those things. See below for more on what I thought of the book and why.

Are there spoilers in the post? Well… memoirs don’t have plot, and you know that Tara became a successful author in the end, so… no. Not really.

Continue reading Educated by Tara Westover